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Mimetic disillusion : Eugene O'Neill, Tennessee Williams, and U.S. dramatic realism

저자: Anne Fleche
출판사: Tuscaloosa : University of Alabama Press, ©1997.
판/형식:   전자도서 : 문서 : 주 또는 도 정부 간행물 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
Mimetic Disillusion reevaluates the history of modern U.S. drama in general and the dramatic art of O'Neill and Williams specifically, showing how at mid-century drama in America shifted away from representational theatre, toward a poststructuralist "disillusionment" with mimesis. The book focuses on two major writers of the 1930s and 1940s - Eugene O'Neill and Tennessee Williams - one whose writing career was just  더 읽기…
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장르/형태: Electronic books
Criticism, interpretation, etc
추가적인 물리적 형식: Print version:
Fleche, Anne.
Mimetic disillusion.
Tuscaloosa : University of Alabama Press, ©1997
(DLC) 96024510
(OCoLC)34876078
명시된 사람: Eugene O'Neill; Tennessee Williams; Eugene O'Neill; Tennessee Williams; Tennessee Williams; Eugene O'Neill; Eugene O'Neill; Tennessee Williams; Eugene O'Neill; Tennessee Williams
자료 유형: 문서, 정부 간행물, 주 또는 도 정부 간행물, 인터넷 자료
문서 형식: 인터넷 자원, 컴퓨터 파일
모든 저자 / 참여자: Anne Fleche
ISBN: 9780817381851 0817381856
OCLC 번호: 646704953
재생 노트: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
설명: 1 online resource (x, 134 pages)
세부사항: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
내용: 1. Introduction: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Theory, 1935-1947 --
2. Long Day's Journey into Night: The Seen and the Unseen --
3. The Iceman Cometh: Buying Time --
4. The Glass Menagerie: Loss and Space --
5. A Streetcar Named Desire: Spatial Violation and Sexual Violence.
책임: Anne Fleche.

초록:

This work examines the history of US drama and how at mid-century, it turned in the direction of a poststructuralist mimicry. It explores the complexities of mimetic and realistic readings and  더 읽기…

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"Anne Fleche imaginatively broadens and enriches the critical debate on dramatic theory, but, more significantly, she restores O'Neill and Williams to a central role within it. Readings of individual 더 읽기…

 
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