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Mimetic disillusion : Eugene O'Neill, Tennessee Williams, and U.S. dramatic realism

著者: Anne Fleche
出版商: Tuscaloosa : University of Alabama Press, ©1997.
版本/格式:   电子图书 : 文献 : 州政府或者省政府刊物 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Mimetic Disillusion reevaluates the history of modern U.S. drama in general and the dramatic art of O'Neill and Williams specifically, showing how at mid-century drama in America shifted away from representational theatre, toward a poststructuralist "disillusionment" with mimesis. The book focuses on two major writers of the 1930s and 1940s - Eugene O'Neill and Tennessee Williams - one whose writing career was just  再读一些...
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类型/形式: Electronic books
Criticism, interpretation, etc
附加的形体格式: Print version:
Fleche, Anne.
Mimetic disillusion.
Tuscaloosa : University of Alabama Press, ©1997
(DLC) 96024510
(OCoLC)34876078
提及的人: Eugene O'Neill; Tennessee Williams; Eugene O'Neill; Tennessee Williams; Eugene O'Neill; Tennessee Williams; Eugene O'Neill; Tennessee Williams; Tennessee Williams; Eugene O'Neill
材料类型: 文献, 政府刊物, 州政府或者省政府刊物, 互联网资源
文档类型 互联网资源, 计算机文档
所有的著者/提供者: Anne Fleche
ISBN: 9780817381851 0817381856
OCLC号码: 646704953
复制注解: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
描述: 1 online resource (x, 134 pages)
详述: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
内容: 1. Introduction: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Theory, 1935-1947 --
2. Long Day's Journey into Night: The Seen and the Unseen --
3. The Iceman Cometh: Buying Time --
4. The Glass Menagerie: Loss and Space --
5. A Streetcar Named Desire: Spatial Violation and Sexual Violence.
责任: Anne Fleche.

摘要:

This work examines the history of US drama and how at mid-century, it turned in the direction of a poststructuralist mimicry. It explores the complexities of mimetic and realistic readings and  再读一些...

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"Anne Fleche imaginatively broadens and enriches the critical debate on dramatic theory, but, more significantly, she restores O'Neill and Williams to a central role within it. Readings of individual 再读一些...

 
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