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Mimetic disillusion : Eugene O'Neill, Tennessee Williams, and U.S. dramatic realism

作者: Anne Fleche
出版商: Tuscaloosa : University of Alabama Press, ©1997.
版本/格式:   電子書 : 文獻 : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Mimetic Disillusion reevaluates the history of modern U.S. drama in general and the dramatic art of O'Neill and Williams specifically, showing how at mid-century drama in America shifted away from representational theatre, toward a poststructuralist "disillusionment" with mimesis. The book focuses on two major writers of the 1930s and 1940s - Eugene O'Neill and Tennessee Williams - one whose writing career was just  再讀一些...
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類型/形式: Electronic books
Criticism, interpretation, etc
其他的實體格式: Print version:
Fleche, Anne.
Mimetic disillusion.
Tuscaloosa : University of Alabama Press, ©1997
(DLC) 96024510
(OCoLC)34876078
提及的人: Eugene O'Neill; Tennessee Williams; Eugene O'Neill; Tennessee Williams; Tennessee Williams; Eugene O'Neill; Eugene O'Neill; Tennessee Williams; Eugene O'Neill; Tennessee Williams
資料類型: 文獻, 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型: 網路資源, 電腦資料
所有的作者/貢獻者: Anne Fleche
ISBN: 9780817381851 0817381856
OCLC系統控制編碼: 646704953
複製注釋: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
描述: 1 online resource (x, 134 pages)
詳述: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
内容: 1. Introduction: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Theory, 1935-1947 --
2. Long Day's Journey into Night: The Seen and the Unseen --
3. The Iceman Cometh: Buying Time --
4. The Glass Menagerie: Loss and Space --
5. A Streetcar Named Desire: Spatial Violation and Sexual Violence.
責任: Anne Fleche.

摘要:

This work examines the history of US drama and how at mid-century, it turned in the direction of a poststructuralist mimicry. It explores the complexities of mimetic and realistic readings and  再讀一些...

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"Anne Fleche imaginatively broadens and enriches the critical debate on dramatic theory, but, more significantly, she restores O'Neill and Williams to a central role within it. Readings of individual 再讀一些...

 
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