跳至内容
The ministry of illusion : Nazi cinema and its afterlife 線上預覽
關閉線上預覽
正在查...

The ministry of illusion : Nazi cinema and its afterlife

作者: Eric Rentschler
出版商: Cambridge, Mass. : Harvard University Press, 1996.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party  再讀一些...
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

類型/形式: History
其他的實體格式: Online version:
Rentschler, Eric.
Ministry of illusion.
Cambridge, Mass. : Harvard University Press, 1996
(OCoLC)653038944
文件類型: 圖書
所有的作者/貢獻者: Eric Rentschler
ISBN: 067457639X 9780674576391 0674576403 9780674576407
OCLC系統控制編碼: 34355001
描述: xvi, 456 p. : ill. ; 24 cm.
内容: Introduction : The power of illusions --
Part 1 : Fatal attractions --
A legend for modern times : "The blue light" (1932) --
Emotional engineering : "Hitler youth quex" (1933) --
Part 2 : Foreign affairs --
Home sweet Heimat : "The Prodigal Son" (1934) --
Hollywood made in Germany : "Lucky kids" (1936) --
Astray in the new world : "La Habanera" (1937) --
Part 3 : Specters and shadows --
The elective other : "Jew süss" (1940) --
The Führer's phantom : "Paracelsus" (1943) --
Self-reflexive self-destruction : "Münchhausen" (1943) --
Epilogue : The testament of Dr. Goebbels --
Appendix A : Films and events, 1933-1945 --
Appendix B : Directorial filmographies --
Appendix C : American film and videotape sources.
責任: Eric Rentschler.

摘要:

German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Suss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopics, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of Propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure [Publisher description]

評論

讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個
確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/34355001>
library:oclcnum"34355001"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/34355001>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.worldcat.org/fast/1033798>
rdf:typeschema:Intangible
schema:name"Motion pictures."@en
schema:name"National socialism and motion pictures"@en
schema:about
schema:about
schema:about
schema:about
<http://id.worldcat.org/fast/1027466>
rdf:typeschema:Intangible
schema:name"Motion pictures in propaganda."@en
schema:name"Motion pictures in propaganda"@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1996"
schema:description"Introduction : The power of illusions -- Part 1 : Fatal attractions -- A legend for modern times : "The blue light" (1932) -- Emotional engineering : "Hitler youth quex" (1933) -- Part 2 : Foreign affairs -- Home sweet Heimat : "The Prodigal Son" (1934) -- Hollywood made in Germany : "Lucky kids" (1936) -- Astray in the new world : "La Habanera" (1937) -- Part 3 : Specters and shadows -- The elective other : "Jew süss" (1940) -- The Führer's phantom : "Paracelsus" (1943) -- Self-reflexive self-destruction : "Münchhausen" (1943) -- Epilogue : The testament of Dr. Goebbels -- Appendix A : Films and events, 1933-1945 -- Appendix B : Directorial filmographies -- Appendix C : American film and videotape sources."@en
schema:description"German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Suss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopics, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of Propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure [Publisher description]"@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/796709419>
schema:genre"History"@en
schema:genre"History."@en
schema:inLanguage"en"
schema:name"The ministry of illusion : Nazi cinema and its afterlife"@en
schema:numberOfPages"456"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.