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The mirror : a history
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The mirror : a history

著者: Sabine Melchior-Bonnet
出版商: New York : Routledge, 2001.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
"Like Henry Petroski's The Pencil or Galen Cranz's The Chair, this elegant and entertaining work makes us reconsider an object at once simple and extraordinary. From antiquity to the present, the mirror has consistently occupied a unique place in our imaginations: as a site of the divine or demonic, of lucidity or madness. Through its lens, Sabine Melchior-Bonnet shows how the material world has worked its way into  再读一些...
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材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Sabine Melchior-Bonnet
ISBN: 0415924472 9780415924474
OCLC号码: 44174226
语言注释: Translated from the French.
描述: xi, 308 p. : ill. ; 22 cm.
内容: The secret of Venice --
The Royal Glass and Mirror Company --
From luxury to necessity --
In the semblance of God --
The triumph of mimesis --
Staring at the self in order to imagine the self --
The devil's distorted faces --
Oblique mirrors and specular trickery --
Mirror fragments.
其他题名: Histoire du miroir.
责任: Sabine Melchior-Bonnet ; translated by Katharine H. Jewett ; with a preface by Jean Delumeau.
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摘要:

"Like Henry Petroski's The Pencil or Galen Cranz's The Chair, this elegant and entertaining work makes us reconsider an object at once simple and extraordinary. From antiquity to the present, the mirror has consistently occupied a unique place in our imaginations: as a site of the divine or demonic, of lucidity or madness. Through its lens, Sabine Melchior-Bonnet shows how the material world has worked its way into our consciousness, affecting the very way in which we perceive ourselves." "Melchior-Bonnet embellishes The Mirror with numerous surprising and compelling anecdotes. She describes Johannes Gutenberg plying his metallurgical skills to produce mirrors before turning to the printing press, and narrates how the Venetian Republic employed a combination of both subtle intimidation and outright assassination to protect its mirror-making secrets. Lewis Carroll's playful treatment of the mirror is contrasted to a short story of Rainer Maria Rilke, which describes the potential for madness within the reflective glass. The modern psyche's confusion in a world dominated by images is best captured by Andy Warhol's quip, "I am sure that I am going to look into the mirror and see nothing."" "The Mirror is cultural history at its best: a dazzling, virtuoso performance that readers of books like Carlo Ginzburg's The Cheese and the Worms or Robert Darnton's The Great Massacre will not be able to pass up."--Jacket.

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