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Misrepresentations : Shakespeare and the materialists
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Misrepresentations : Shakespeare and the materialists

Author: Graham Bradshaw
Publisher: Ithaca : Cornell University Press, 1993.
Edition/Format:   Book : EnglishView all editions and formats
Summary:
Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Graham Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare that critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting). In writing on  Read more...
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Additional Physical Format: Online version:
Bradshaw, Graham.
Misrepresentations.
Ithaca : Cornell University Press, 1993
(OCoLC)707181871
Named Person: William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; Eustace Mandeville Wetenhall Tillyard
Document Type: Book
All Authors / Contributors: Graham Bradshaw
ISBN: 0801428904 9780801428906 0801481295 9780801481291
OCLC Number: 28631465
Description: xii, 322 p. ; 24 cm.
Contents: Prologue: Is Shakespeare Evil? Reviving Tillyard. Buddies. Chaotic Sites. The E-Effect --
Ch. 1. Being Oneself: New Historicists, Cultural Materialists, and Henry V. The Trouble with Harry. The Historiographical Challenge. Dramatic "Rhyming" Who Them? Where Us? Systems in Force. Being Oneself --
Ch. 2. Dramatic Intentions: Two-Timing in Shakespeare's Venice. Jessica's Lie. Complex Designs. Obeying the Time. Fashioning Othello. A Choice of Delusions. "A Horrible Conceite" --
Epilogue: The New Historicist as Iago. Seeing Through Seeing Through. The Fear of Being Taken In. The Riverbed. Othello 1980 --
Appendix: Dashing Othello's Spirits.
Responsibility: Graham Bradshaw.
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Abstract:

Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Graham Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare that critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting). In writing on Henry V, Othello, The Tempest, and The Merchant of Venice, Bradshaw probes the complex dramatic thinking behind the plays. He is much concerned with Shakespeare's "dramatic rhyming," the manner in which different parts of the plays are brought to bear on one another within a complex design. Branching out from these readings, he shows how frequently politicized materialist readings expose and contradict one another in their partial and opportunistic samplings of Shakespeare's texts. Bradshaw argues that the plays can help us to historicize our present, if we allow them to test - instead of using them to "instantiate" - our cherished theories. Far more than elegant nay-saying, Misrepresentations moves toward a rich new conceptualization of cultural poetics, one responsive to our present critical situation and to the intricate designs of Shakespeare's poetic drama.

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Linked Data


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schema:description"Prologue: Is Shakespeare Evil? Reviving Tillyard. Buddies. Chaotic Sites. The E-Effect -- Ch. 1. Being Oneself: New Historicists, Cultural Materialists, and Henry V. The Trouble with Harry. The Historiographical Challenge. Dramatic "Rhyming" Who Them? Where Us? Systems in Force. Being Oneself -- Ch. 2. Dramatic Intentions: Two-Timing in Shakespeare's Venice. Jessica's Lie. Complex Designs. Obeying the Time. Fashioning Othello. A Choice of Delusions. "A Horrible Conceite" -- Epilogue: The New Historicist as Iago. Seeing Through Seeing Through. The Fear of Being Taken In. The Riverbed. Othello 1980 -- Appendix: Dashing Othello's Spirits."
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