Find a copy in the library
Finding libraries that hold this item...
Details
| Additional Physical Format: | Online version: Bradshaw, Graham. Misrepresentations. Ithaca : Cornell University Press, 1993 (OCoLC)707181871 |
|---|---|
| Named Person: | William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; Eustace Mandeville Wetenhall Tillyard |
| Document Type: | Book |
| All Authors / Contributors: |
Graham Bradshaw |
| ISBN: | 0801428904 9780801428906 0801481295 9780801481291 |
| OCLC Number: | 28631465 |
| Description: | xii, 322 p. ; 24 cm. |
| Contents: | Prologue: Is Shakespeare Evil? Reviving Tillyard. Buddies. Chaotic Sites. The E-Effect -- Ch. 1. Being Oneself: New Historicists, Cultural Materialists, and Henry V. The Trouble with Harry. The Historiographical Challenge. Dramatic "Rhyming" Who Them? Where Us? Systems in Force. Being Oneself -- Ch. 2. Dramatic Intentions: Two-Timing in Shakespeare's Venice. Jessica's Lie. Complex Designs. Obeying the Time. Fashioning Othello. A Choice of Delusions. "A Horrible Conceite" -- Epilogue: The New Historicist as Iago. Seeing Through Seeing Through. The Fear of Being Taken In. The Riverbed. Othello 1980 -- Appendix: Dashing Othello's Spirits. |
| Responsibility: | Graham Bradshaw. |
| More information: |
Abstract:
Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Graham Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare that critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting). In writing on Henry V, Othello, The Tempest, and The Merchant of Venice, Bradshaw probes the complex dramatic thinking behind the plays. He is much concerned with Shakespeare's "dramatic rhyming," the manner in which different parts of the plays are brought to bear on one another within a complex design. Branching out from these readings, he shows how frequently politicized materialist readings expose and contradict one another in their partial and opportunistic samplings of Shakespeare's texts. Bradshaw argues that the plays can help us to historicize our present, if we allow them to test - instead of using them to "instantiate" - our cherished theories. Far more than elegant nay-saying, Misrepresentations moves toward a rich new conceptualization of cultural poetics, one responsive to our present critical situation and to the intricate designs of Shakespeare's poetic drama.
Reviews
User-contributed reviews
Add a review and share your thoughts with other readers.
Be the first.
Add a review and share your thoughts with other readers.
Be the first.
Tags
Add tags for "Misrepresentations : Shakespeare and the materialists".
Be the first.
Similar Items
Related Subjects:(20)
- Shakespeare, William, -- 1564-1616 -- Criticism and interpretation -- History -- 20th century.
- Historical criticism (Literature)
- Criticism -- History -- 20th century.
- Literature and anthropology.
- Materialism.
- Materialisme.
- Shakespeare, William, -- 1564-1616 -- Critique et interprétation -- Histoire -- 20e siècle.
- Critique historique (Littérature)
- Critique -- Histoire -- 20e siècle.
- Littérature et anthropologie.
- Matérialisme.
- Shakespeare, William -- King Henry the Fifth
- Shakespeare, William -- Othello
- Tillyard, Eustace Mandeville Wetenhall
- Literaturkritik
- Rezeption
- Criticism -- History -- 20th century
- Literature and anthropology
- Materialism
- Shakespeare, -- 1564-1616 -- Criticism -- History -- 20th century
