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Missa pro defunctis ; Penitential motets

Author: Jacobus Clemens non Papa; Stephen James Rice; Brabant Ensemble,
Publisher: London : Hyperion Records Ltd., [2011], ℗2011.
Edition/Format:   Music CD : CD audio : LatinView all editions and formats
Database:WorldCat
Summary:
The Brabant Ensemble under their director Stephen Rice presents music for the dark time of the year. Its latest disc of 16th-century polyphony features the extraordinary compositional gifts of Clemens non Papa, put to the service of the Requiem mass and a selection of motets on a pentitential theme. Within this general aspect of solemnity can be found countless shades of expression and emotion. Despite the  Read more...
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Genre/Form: Requiems
Motets
Material Type: Music
Document Type: Sound Recording
Music Type: Requiems; Motets
All Authors / Contributors: Jacobus Clemens non Papa; Stephen James Rice; Brabant Ensemble,
OCLC Number: 702145680
Language Note: Sung in Latin. Insert contains sung text in Latin and English, with program notes in English, French, and German.
Notes: Requiem mass and seven motets for 4 or 5 parts.
Performer(s): The Brabant Ensemble; Stephen Rice, director.
Event notes: Recorded on 16-18 March 2010 in the Chapel of Merton College, Oxford.
Description: 1 audio disc (72 min., 52 sec.) : digital, CD audio ; 4 3/4 in.
Contents: Missa pro defunctis, requiem (20:38) --
Tristitia et anxietas (10:02) --
Vae tibi Babylon et Syria (4:59) --
Erravi sicut ovis (7:29) --
De profundis (9:21) --
Vox in Rama (4:16) --
Peccantem me quotidie (8:41) --
Heu mihi, Domine (7:23).
Other Titles: Vocal music.
Penitential motets
Requiem & penitential motets
Responsibility: Clemens non Papa.

Abstract:

The Brabant Ensemble under their director Stephen Rice presents music for the dark time of the year. Its latest disc of 16th-century polyphony features the extraordinary compositional gifts of Clemens non Papa, put to the service of the Requiem mass and a selection of motets on a pentitential theme. Within this general aspect of solemnity can be found countless shades of expression and emotion. Despite the popularity of the composer's music during his lifetime, Clemens is a somewhat marginal figure today and many of these motets have never been recorded before. Yet, listening to this music today, one is immediately enthralled by its opulence and harmonic lushness, very different from the occasionally sterile polyphony of some of the composer's contemporaries. The Brabant Ensemble's fresh, uncluttered and sincere performances truly bring this glorious music to life.

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