přejít na obsah
Modern art despite modernism Náhled dokumentu
ZavřítNáhled dokumentu
Probíhá kontrola...

Modern art despite modernism

Autor Robert Storr; Museum of Modern Art (New York, N.Y.)
Vydavatel: New York : Museum of Modern Art : Distributed by H.N. Abrams, 2000. ©2000
Vydání/formát:   book_printbook : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
"This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first  Přečíst více...
Hodnocení:

(ještě nehodnoceno) 0 zobrazit recenze - Buďte první.

Předmětová hesla:
Více podobných

 

Vyhledat exemplář v knihovně

&AllPage.SpinnerRetrieving; Vyhledávání knihoven, které vlastní tento dokument...

Detaily

Žánr/forma: Exhibition catalogs
Exhibitions
Expositions
Doplňující formát: Online version:
Storr, Robert.
Modern art despite modernism.
New York : Museum of Modern Art : Distributed by H.N. Abrams, 2000
(OCoLC)606284730
Osoba: Lucian Freud; John Graham
Typ dokumentu: Book
Všichni autoři/tvůrci: Robert Storr; Museum of Modern Art (New York, N.Y.)
ISBN: 0810962071 9780810962071 0870700316 9780870700316 0870700340 9780870700347
OCLC číslo: 43937493
Poznámky: Includes index.
Popis: 247 pages : illustrations (chiefly color) ; 31 cm
Obsahy: Drawing Lesson I --
Foreword --
Preface & acknowledgments --
Modern art despite modernism. pt. 1. Typologies & twists ; Heads ; pt. 2. Backward march! ; Femmes fatales ; pt. 3. Fences Down --
Plates. The School of Paris ; Surrealism ; Metaphysical painting & Valori plastici ; Neue Sachlichkeit & German figuration ; Neo-romanticism ; British figuration ; Latin American figuration ; Depression era realism & the American scene ; Postwar European figuration ; Postwar figuration in the Americas ; Post modernism ; Drawing Lession II --
Index of illustrations --
Credits.
Odpovědnost: Robert Storr.

Anotace:

"This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--Jacket.

Recenze

Recenze vložené uživatelem
Nahrávání recenzí GoodReads...
Přebírání recenzí DOGO books...

Štítky

Buďte první.

Podobné dokumenty

Související předmětová hesla:(9)

Seznamy uživatele s tímto dokumentem (3)

Potvrdit tento požadavek

Tento dokument jste si již vyžádali. Prosím vyberte Ok pokud chcete přesto v žádance pokračovat.

Propojená data


Primary Entity

<http://www.worldcat.org/oclc/43937493> # Modern art despite modernism
    a schema:Book, schema:CreativeWork ;
    library:oclcnum "43937493" ;
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/nyu> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Topic/art_modern_20th_century> ; # Art, Modern--20th century
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Topic/museum_of_modern_art_n_y> ; # Museum of Modern Art (N.Y.)
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Topic/kunstreceptie> ; # Kunstreceptie
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Person/graham_john> ; # John Graham
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Event/1900_1999> ; # 1900-1999
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Topic/beeldende_kunsten> ; # Beeldende kunsten
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Topic/art_modern> ; # Art, Modern
    schema:about <http://dewey.info/class/709.0400747471/e21/> ;
    schema:about <http://id.loc.gov/authorities/classification/N6490> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Person/freud_lucian_1922> ; # Lucian Freud
    schema:about <http://experiment.worldcat.org/entity/work/data/33667567#Topic/art_20e_siecle> ; # Art--20e siècle
    schema:bookFormat bgn:PrintBook ;
    schema:contributor <http://viaf.org/viaf/133352940> ; # Museum of Modern Art (New York, N.Y.)
    schema:creator <http://experiment.worldcat.org/entity/work/data/33667567#Person/storr_robert> ; # Robert Storr
    schema:datePublished "2000" ;
    schema:description "Drawing Lesson I -- Foreword -- Preface & acknowledgments -- Modern art despite modernism. pt. 1. Typologies & twists ; Heads ; pt. 2. Backward march! ; Femmes fatales ; pt. 3. Fences Down -- Plates. The School of Paris ; Surrealism ; Metaphysical painting & Valori plastici ; Neue Sachlichkeit & German figuration ; Neo-romanticism ; British figuration ; Latin American figuration ; Depression era realism & the American scene ; Postwar European figuration ; Postwar figuration in the Americas ; Post modernism ; Drawing Lession II -- Index of illustrations -- Credits."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/33667567> ;
    schema:genre "Exhibition catalogs"@en ;
    schema:inLanguage "en" ;
    schema:isSimilarTo <http://www.worldcat.org/oclc/606284730> ;
    schema:name "Modern art despite modernism"@en ;
    schema:productID "43937493" ;
    schema:reviews <http://www.worldcat.org/title/-/oclc/43937493#Review/1436346326> ;
    schema:workExample <http://worldcat.org/isbn/9780870700347> ;
    schema:workExample <http://worldcat.org/isbn/9780870700316> ;
    schema:workExample <http://worldcat.org/isbn/9780810962071> ;
    umbel:isLike <http://bnb.data.bl.uk/id/resource/GBA068715> ;
    umbel:isLike <http://bnb.data.bl.uk/id/resource/GBA0Z7312> ;
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/43937493> ;
    .


Related Entities

<http://experiment.worldcat.org/entity/work/data/33667567#Person/freud_lucian_1922> # Lucian Freud
    a schema:Person ;
    schema:birthDate "1922" ;
    schema:familyName "Freud" ;
    schema:givenName "Lucian" ;
    schema:name "Lucian Freud" ;
    .

<http://experiment.worldcat.org/entity/work/data/33667567#Person/graham_john> # John Graham
    a schema:Person ;
    schema:familyName "Graham" ;
    schema:givenName "John" ;
    schema:name "John Graham" ;
    .

<http://experiment.worldcat.org/entity/work/data/33667567#Person/storr_robert> # Robert Storr
    a schema:Person ;
    schema:familyName "Storr" ;
    schema:givenName "Robert" ;
    schema:name "Robert Storr" ;
    .

<http://experiment.worldcat.org/entity/work/data/33667567#Topic/art_20e_siecle> # Art--20e siècle
    a schema:Intangible ;
    schema:name "Art--20e siècle"@fr ;
    .

<http://experiment.worldcat.org/entity/work/data/33667567#Topic/beeldende_kunsten> # Beeldende kunsten
    a schema:Intangible ;
    schema:name "Beeldende kunsten"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/33667567#Topic/museum_of_modern_art_n_y> # Museum of Modern Art (N.Y.)
    a schema:Intangible ;
    schema:name "Museum of Modern Art (N.Y.)"@en ;
    .

<http://viaf.org/viaf/133352940> # Museum of Modern Art (New York, N.Y.)
    a schema:Organization ;
    schema:name "Museum of Modern Art (New York, N.Y.)" ;
    .

<http://worldcat.org/isbn/9780810962071>
    a schema:ProductModel ;
    schema:isbn "0810962071" ;
    schema:isbn "9780810962071" ;
    .

<http://worldcat.org/isbn/9780870700316>
    a schema:ProductModel ;
    schema:isbn "0870700316" ;
    schema:isbn "9780870700316" ;
    .

<http://worldcat.org/isbn/9780870700347>
    a schema:ProductModel ;
    schema:isbn "0870700340" ;
    schema:isbn "9780870700347" ;
    .

<http://www.worldcat.org/oclc/606284730>
    a schema:CreativeWork ;
    rdfs:label "Modern art despite modernism." ;
    schema:description "Online version:" ;
    schema:isSimilarTo <http://www.worldcat.org/oclc/43937493> ; # Modern art despite modernism
    .

<http://www.worldcat.org/title/-/oclc/43937493#Review/1436346326>
    a schema:Review ;
    schema:itemReviewed <http://www.worldcat.org/oclc/43937493> ; # Modern art despite modernism
    schema:reviewBody ""This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--Jacket." ;
    .


Content-negotiable representations

Zavřít okno

Prosím přihlaste se do WorldCat 

Nemáte účet? Můžete si jednoduše vytvořit bezplatný účet.