zum Inhalt wechseln
Modern art despite modernism Titelvorschau
SchließenTitelvorschau
Prüfung…

Modern art despite modernism

Verfasser/in: Robert Storr; Museum of Modern Art (New York, N.Y.)
Verlag: New York : Museum of Modern Art : Distributed by H.N. Abrams, 2000.
Ausgabe/Format   Buch : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first  Weiterlesen…
Bewertung:

(noch nicht bewertet) 0 mit Rezensionen - Verfassen Sie als Erste eine Rezension.

Themen
Ähnliche Titel

 

Exemplar ausleihen

&AllPage.SpinnerRetrieving; Suche nach Bibliotheken, die diesen Titel besitzen ...

Details

Gattung/Form: Exhibitions
Expositions
Physisches Format Online version:
Storr, Robert.
Modern art despite modernism.
New York : Museum of Modern Art : Distributed by H.N. Abrams, 2000
(OCoLC)606284730
Name: Lucian Freud; Giorgio De Chirico; Pablo Picasso; Henri Matisse; Otto Dix; Francis Bacon; Gerhard Richter; Fernand Léger; John Graham; George Grosz
Dokumenttyp: Buch
Alle Autoren: Robert Storr; Museum of Modern Art (New York, N.Y.)
ISBN: 0810962071 9780810962071 0870700316 9780870700316 0870700340 9780870700347
OCLC-Nummer: 43937493
Anmerkungen: Includes index.
Beschreibung: 247 p. : chiefly ill. (all col.) ; 31 cm.
Inhalt: Drawing Lesson I --
Foreword --
Preface & acknowledgments --
Modern art despite modernism. pt. 1. Typologies & twists ; Heads ; pt. 2. Backward march! ; Femmes fatales ; pt. 3. Fences Down --
Plates. The School of Paris ; Surrealism ; Metaphysical painting & Valori plastici ; Neue Sachlichkeit & German figuration ; Neo-romanticism ; British figuration ; Latin American figuration ; Depression era realism & the American scene ; Postwar European figuration ; Postwar figuration in the Americas ; Post modernism ; Drawing Lession II --
Index of illustrations --
Credits.
Verfasserangabe: Robert Storr.

Abstract:

"This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--BOOK JACKET.

Rezensionen

Nutzer-Rezensionen
Suche nach GoodReads-Rezensionen
Suche nach DOGObooks-Rezensionen…

Tags

Tragen Sie als Erste Tags ein.
Anfrage bestätigen

Sie haben diesen Titel bereits angefordert. Wenn Sie trotzdem fortfahren möchten, klicken Sie auf OK.

Verlinkung


<http://www.worldcat.org/oclc/43937493>
library:oclcnum"43937493"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/43937493>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Person
schema:name"De Chirico, Giorgio, 1888-1978"
schema:about
rdf:typeschema:Person
schema:name"Picasso, Pablo, 1881-1973"
schema:about
rdf:typeschema:Person
schema:name"Matisse, Henri, 1869-1954"
schema:about
rdf:typeschema:Person
schema:name"Dix, Otto, 1891-1969"
schema:about
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Person
schema:name"Bacon, Francis, 1909-1992"
schema:about
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Organization
schema:name"Museum of Modern Art (New York, N.Y.)"
schema:about
rdf:typeschema:Intangible
schema:name"Museum of Modern Art (New York)"
schema:about
schema:about
schema:about
rdf:typeschema:Person
schema:name"Grosz, George, 1893-1959"
schema:about
schema:about
rdf:typeschema:Person
schema:name"Richter, Gerhard, 1932-"
schema:about
rdf:typeschema:Person
schema:name"Léger, Fernand, 1881-1955"
schema:about
schema:about
schema:author
schema:contributor
schema:datePublished"2000"
schema:description"Drawing Lesson I -- Foreword -- Preface & acknowledgments -- Modern art despite modernism. pt. 1. Typologies & twists ; Heads ; pt. 2. Backward march! ; Femmes fatales ; pt. 3. Fences Down -- Plates. The School of Paris ; Surrealism ; Metaphysical painting & Valori plastici ; Neue Sachlichkeit & German figuration ; Neo-romanticism ; British figuration ; Latin American figuration ; Depression era realism & the American scene ; Postwar European figuration ; Postwar figuration in the Americas ; Post modernism ; Drawing Lession II -- Index of illustrations -- Credits."
schema:exampleOfWork<http://worldcat.org/entity/work/id/33667567>
schema:genre"Exhibition catalogs"
schema:inLanguage"en"
schema:name"Modern art despite modernism"
schema:numberOfPages"247"
schema:publisher
rdf:typeschema:Organization
schema:name"Distributed by H.N. Abrams"
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/43937493>
schema:reviewBody""This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--BOOK JACKET."
schema:workExample
schema:workExample
schema:workExample
schema:workExample
schema:workExample
schema:workExample

Content-negotiable representations

Fenster schließen

Bitte in WorldCat einloggen 

Sie haben kein Konto? Sie können sehr einfach ein kostenloses Konto anlegen,.