passa ai contenuti
Modern art despite modernism Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Modern art despite modernism

Autore: Robert Storr; Museum of Modern Art (New York, N.Y.)
Editore: New York : Museum of Modern Art : Distributed by H.N. Abrams, 2000.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Exhibition catalogs
Exhibitions
Expositions
Informazioni aggiuntive sul formato: Online version:
Storr, Robert.
Modern art despite modernism.
New York : Museum of Modern Art : Distributed by H.N. Abrams, 2000
(OCoLC)606284730
Persona incaricata: Lucian Freud; Giorgio De Chirico; Pablo Picasso; Henri Matisse; Otto Dix; Francis Bacon; Gerhard Richter; Fernand Léger; John Graham; George Grosz; Francis Bacon; Giorgio De Chirico; Otto Dix; George Grosz; Fernand Léger; Henri Matisse; Pablo Picasso; Gerhard Richter
Tipo documento: Book
Tutti gli autori / Collaboratori: Robert Storr; Museum of Modern Art (New York, N.Y.)
ISBN: 0810962071 9780810962071 0870700316 9780870700316 0870700340 9780870700347
Numero OCLC: 43937493
Note: Includes index.
Descrizione: 247 p. : chiefly ill. (all col.) ; 31 cm.
Contenuti: Drawing Lesson I --
Foreword --
Preface & acknowledgments --
Modern art despite modernism. pt. 1. Typologies & twists ; Heads ; pt. 2. Backward march! ; Femmes fatales ; pt. 3. Fences Down --
Plates. The School of Paris ; Surrealism ; Metaphysical painting & Valori plastici ; Neue Sachlichkeit & German figuration ; Neo-romanticism ; British figuration ; Latin American figuration ; Depression era realism & the American scene ; Postwar European figuration ; Postwar figuration in the Americas ; Post modernism ; Drawing Lession II --
Index of illustrations --
Credits.
Responsabilità: Robert Storr.

Abstract:

"This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--BOOK JACKET.

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/43937493>
library:oclcnum"43937493"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/43937493>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:creator
schema:datePublished"2000"
schema:description"Drawing Lesson I -- Foreword -- Preface & acknowledgments -- Modern art despite modernism. pt. 1. Typologies & twists ; Heads ; pt. 2. Backward march! ; Femmes fatales ; pt. 3. Fences Down -- Plates. The School of Paris ; Surrealism ; Metaphysical painting & Valori plastici ; Neue Sachlichkeit & German figuration ; Neo-romanticism ; British figuration ; Latin American figuration ; Depression era realism & the American scene ; Postwar European figuration ; Postwar figuration in the Americas ; Post modernism ; Drawing Lession II -- Index of illustrations -- Credits."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/33667567>
schema:genre"Exhibition catalogs."@en
schema:genre"Exhibition catalogs"@en
schema:inLanguage"en"
schema:name"Modern art despite modernism"@en
schema:numberOfPages"247"
schema:publisher
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/43937493>
schema:reviewBody""This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--BOOK JACKET."
schema:url
schema:workExample
schema:workExample
schema:workExample

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.