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Modernism, mass culture, and the aesthetics of obscenity

Autor: Allison Pease
Editora: Cambridge ; New York : Cambridge University Press, 2000.
Edição/Formato   Imprimir livro : InglêsVer todas as edições e formatos
Resumo:
"How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey  Ler mais...
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Detalhes

Gênero/Forma: Criticism, interpretation, etc
Pessoa Denominada: D H Lawrence; Algernon Charles Swinburne; Aubrey Beardsley; James Joyce; Aubrey Beardsley; James Joyce; D H Lawrence; Algernon Charles Swinburne; David Herbert Lawrence; Algernon Charles Swinburne; Aubrey Beardsley; James Joyce
Tipo de Material: Recurso Internet
Tipo de Documento Livro, Recursos de internet
Todos os Autores / Contribuintes: Allison Pease
ISBN: 0521780764 9780521780766
Número OCLC: 42882844
Descrição: xvi, 244 pages : illustrations ; 24 cm
Conteúdos: Civil society : aesthetics and pornography in the eighteenth century --
Victorian obscenities : the new reading public, pornography, and Swinburne's sexual aesthetic --
The mastery of form : Beardsley and Joyce --
Being disinterested : D.H. Lawrence --
Modernist criticism : the battle for culture and the accommodation of the obscene.
Responsabilidade: Allison Pease.
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Resumo:

Examines the changing relationship between art and pornography from the eighteenth to the early twentieth century.  Ler mais...

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"Pease's energetic writing style enlivens the impressively dense scholarship that underwrites the argument throughout her book...Modernism, Mass Culture, and the Aesthetics of Obscenity will speak to Ler mais...

 
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