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The modernist response to Chinese art : Pound, Moore, Stevens

Auteur : Zhaoming Qian
Éditeur : Charlottesville : University of Virginia Press, 2003.
Édition/format :   Livre imprimé : State or province government publication : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :

A reconstruction of three modernist poets' dialogue with the Chinese masters, this sequel to "Orientalism and Modernism", investigates the ways in which three modernist poets received Chinese  Lire la suite...

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Détails

Genre/forme : Art
Criticism, interpretation, etc
History
Personne nommée : Wallace Stevens; Marianne Moore; Wallace Stevens; Marianne Moore; Ezra Pound; Ezra Pound; Marianne Moore; Ezra Pound; Wallace Stevens; Wallace Stevens; Marianne Moore; Ezra Pound
Type d’ouvrage : Government publication, State or province government publication, Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Zhaoming Qian
ISBN : 0813921759 9780813921754 0813921767 9780813921761
Numéro OCLC : 50034871
Description : xxii, 274 pages : illustrations ; 24 cm
Contenu : China in galleries --
Pound and Chinese art in the "British museum era" --
Chinese art arrives in America: Stevens and Moore --
Remaking culture --
Pound and pictures of Confucian ideals --
Eternal Dao: Pound and Moore --
Stevens and Chan art --
Picturing the other --
Stevens's "Six significant landscapes" --
Moore and Ming-Qing porcelain: "Nine nectarines" --
Pound's Seven Lakes Canto --
Poets as critics and connoisseurs --
Pound, Fenollosa, and the Chinese written character --
Stevens as art collector --
Moore and the Tao of painting --
Late Modernism and the Orient --
Moore and O to be a dragon --
Nothingness and late Stevens --
Chinese in rock-drill and thrones.
Responsabilité : Zhaoming Qian.
Plus d’informations :

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Synopsis de l’éditeur

"The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, Lire la suite...

 
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