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The moment of self-portraiture in German renaissance art

Auteur : Joseph Leo Koerner
Éditeur : Chicago : University of Chicago Press, ©1993.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
The self-portrait has become a model of what art is: the artwork is the image of its maker, and understanding the work means recovering from it an original vision of the artist. In this ground-breaking work, Joseph Leo Koerner analyzes the historical origin of this model in the art of Albrecht Durer and Hans Baldung Grien, the first modern self-portraitist and his principal disciple. By doing so, he develops new  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Self-portraits
Personne nommée : Albrecht Dürer; Albrecht Dürer; Hans Baldung; Hans Baldung; Hans Baldung; Albrecht Dürer
Type d’ouvrage : Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Joseph Leo Koerner
ISBN : 0226449971 9780226449975 0226449998 9780226449999
Numéro OCLC : 25713291
Description : xx, 543 pages : illustrations ; 29 cm
Contenu : 1. Prosopopoeia. 2. Self and Epoch. 3. Organa of History --
pt. 1. The Project of Self-Portraiture: Albrecht Durer. 4. The Artist as Christ. 5. Not Made by Human Hands. 6. Figures of Omnivoyance. 7. The Divine Hand. 8. The Hairy, Bearded Painter. 9. Representative Man. 10. The Law of Authorship. 11. Bas-de-Page --
pt. 2. The Mortification of the Image: Hans Baldung Grien. 12. Durer Disfigured. 13. Death and Experience. 14. Death as Hermeneutic. 15. The Crisis of Interpretation. 16. Homo Interpres in Bivio: Cranach and Luther. 17. The Death of the Artist.
Responsabilité : Joseph Leo Koerner.
Plus d’informations :

Résumé :

In this study, Joseph Koerner establishes the character of Renaissance art in Germany and examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the  Lire la suite...

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