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The moment of self-portraiture in German renaissance art

著者: Joseph Leo Koerner
出版商: Chicago : University of Chicago Press, ©1993.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
The self-portrait has become a model of what art is: the artwork is the image of its maker, and understanding the work means recovering from it an original vision of the artist. In this ground-breaking work, Joseph Leo Koerner analyzes the historical origin of this model in the art of Albrecht Durer and Hans Baldung Grien, the first modern self-portraitist and his principal disciple. By doing so, he develops new  再读一些...
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详细书目

类型/形式: Criticism, interpretation, etc
Self-portraits
提及的人: Albrecht Dürer; Albrecht Dürer; Hans Baldung; Hans Baldung; Hans Baldung; Albrecht Dürer
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Joseph Leo Koerner
ISBN: 0226449971 9780226449975 0226449998 9780226449999
OCLC号码: 25713291
描述: xx, 543 pages : illustrations ; 29 cm
内容: 1. Prosopopoeia. 2. Self and Epoch. 3. Organa of History --
pt. 1. The Project of Self-Portraiture: Albrecht Durer. 4. The Artist as Christ. 5. Not Made by Human Hands. 6. Figures of Omnivoyance. 7. The Divine Hand. 8. The Hairy, Bearded Painter. 9. Representative Man. 10. The Law of Authorship. 11. Bas-de-Page --
pt. 2. The Mortification of the Image: Hans Baldung Grien. 12. Durer Disfigured. 13. Death and Experience. 14. Death as Hermeneutic. 15. The Crisis of Interpretation. 16. Homo Interpres in Bivio: Cranach and Luther. 17. The Death of the Artist.
责任: Joseph Leo Koerner.
更多信息:

摘要:

In this study, Joseph Koerner establishes the character of Renaissance art in Germany and examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the  再读一些...

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