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Monet and the Mediterranean

Author: Joachim Pissarro; Kimbell Art Museum.; Brooklyn Museum of Art.
Publisher: New York : Rizzoli in association with the Kimbell Art Museum, Fort Worth, Texas, 1997.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
First invited by Pierre-Auguste Renoir to the Italian Riviera in 1883, Monet over the next decades crafted several magnificent series of works, remarkably different from the paintings that had established his reputation in the North. Here, assembled for the first time in its entirety, is the audaciously colorful group of works that he executed on the Italian and French Rivieras in 1884 and 1888, and in Venice in  Read more...
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Genre/Form: Exhibitions
Expositions
Additional Physical Format: Online version:
Pissarro, Joachim.
Monet and the Mediterranean.
New York : Rizzoli in association with the Kimbell Art Museum, Fort Worth, Texas, 1997
(OCoLC)643968739
Named Person: Claude Monet; Claude Monet; Claude Monet; Claude Monet
Document Type: Book
All Authors / Contributors: Joachim Pissarro; Kimbell Art Museum.; Brooklyn Museum of Art.
ISBN: 0847817830 9780847817832 0912804335 9780912804330
OCLC Number: 35280637
Notes: "Exhibition dates: Kimbell Art Museum, Fort Worth, June 8-September 7, 1997; Brooklyn Museum of Art, October 10, 1997-January 4, 1998"--T.p. verso.
Description: 191 p. : col. ill. ; 29 cm.
Contents: Preface and acknowledgments --
Monet's Mediterranean --
Color plates and commentaries --
Notes --
Bibliography --
List of Monet's works illustrated --
Lender's list --
Photo credits.
Responsibility: Joachim Pissarro.

Abstract:

Assembled for the first time in its entirety is the audaciously colourful group of works Monet executed on the Italian and French Rivieras in 1884 and 1888 and in Venice in 1909.  Read more...

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"The success of "Monet and the Mediterranean" suits Monet's own, because it is comparably multifaceted: as biography, it is insightful; as history, it is innovative; as critical interpretation, it is Read more...

 
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