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Montage : Hillwood Art Gallery Nov. 2-Dec. 18, 1988

Author: Joan Harrison, M.A.; A D Coleman; John Heartfield; Hillwood Art Gallery.
Publisher: Brookville, N.Y. : Hillwood Art Gallery, C.W. Post Campus, Long Island University, [1988]
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"The goal of 'montage' as an exhibition is to link the work of emerging artists to the historical tradition and to the work of an older generation of monteurs whose contributings to the medium have been under recognized. In assembling the work socio-political critique and psycho-sexual workings of the subconcious emerged as predominant themes. This exhibition makes no pretense to making a definitive statement about  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Additional Physical Format: Online version:
Montage.
Brookville, N.Y. : Hillwood Art Gallery, C.W. Post Campus, Long Island University, [1988]
(OCoLC)754568962
Document Type: Book
All Authors / Contributors: Joan Harrison, M.A.; A D Coleman; John Heartfield; Hillwood Art Gallery.
ISBN: 0933699115 9780933699113
OCLC Number: 19329168
Notes: Catalog of an exhibition held at the Hillwood Art Gallery at Long Island University from November 2 - December 18, 1988. Curated by Joan Harrison. Essay by A.D. Coleman.
Description: 40 pages : illustrations (some color), portraits ; 25 cm
Contents: Montage (Joan Harrison) --
Photo/montage/collage (A.D. Coleman) --
John Heartfield --
Barbara Morgan --
Val Telberg --
Michael Martone --
Sandra Haber --
Karl Baden --
Kathleen Kenyon --
Michael Spano --
Joseph Mills --
Brian Taylor --
The Starn Twins.
Responsibility: curated by Joan Harrison.

Abstract:

"The goal of 'montage' as an exhibition is to link the work of emerging artists to the historical tradition and to the work of an older generation of monteurs whose contributings to the medium have been under recognized. In assembling the work socio-political critique and psycho-sexual workings of the subconcious emerged as predominant themes. This exhibition makes no pretense to making a definitive statement about the medium, but merely presents the contribution of twelve fine artists to what is unquestionably a dynamic and uniquely twentieth century art form." -- Joan Harrison, page 3.

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