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Monteverdi's musical theatre

Author: Tim Carter
Publisher: New Haven : Yale University Press, ©2002.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
"Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il ritorno d'Ulisse in patria and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in  Read more...
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Genre/Form: Criticism, interpretation, etc
History
Named Person: Claudio Monteverdi; Claudio Monteverdi; Claudio Monteverdi; Claudio Monteverdi; Claudio Monteverdi
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Tim Carter
ISBN: 0300096763 9780300096767
OCLC Number: 50100523
Description: x, 326 p. : music ; 24 cm.
Contents: Monteverdi and the 'problems of opera' --
Music on the late Renaissance stage --
Monteverdi and his librettist --
The art of the theatre --
Orfeo (1607) --
The balli --
The Combattimento di Tancredi e Clorinda (1642) --
Approaching the lost works --
Il ritorno d'Ulisse in patria (1640) --
L'incoronazione di Poppea (1643).
Responsibility: Tim Carter.
More information:

Abstract:

"Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il ritorno d'Ulisse in patria and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This book is the first to survey Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions and lost works." "Tim Carter, a leading Monteverdi expert, begins by charting the progress of early opera from the north Italian courts to the 'public' theatres of Venice. He places Monteverdi's stage works in the broader context of early seventeenth-century theatrical endeavour and explores crucial questions of genre, interpretation and performance practices, both then and now. Taking a pragmatic view of how the works were brought to life on the stage and how they were seen in their own time, Carter discusses the complex modes of production that involved a range of artists, artisans and performers. With insightful commentary on the composer's individual works and on the cultural and theatrical contexts in which they were performed, Carter casts new light on Monteverdi's remarkable achievement as a man of the theatre."--BOOK JACKET.

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Linked Data


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