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The moon in our hands

Auteur : Tom Dyja
Éditeur : New York : Carroll & Graf Publishers ; [Berkeley, Calif.] : Distributed by Publishers Group West, 2005.
Édition/format :   Livre : Fiction : Public jeunesse : Anglais : 1st Carroll & Graf edVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Recruited in 1918 to work for the NAACP, Walter White--a lightskinned African-American man who can pass for white--is sent undercover to investigate a lynching, all the while confronted with personal issues of identity. From the author of the award-winning novel Play for a Kingdom comes a masterful story inspired by the early life of Walter White, a dynamic but now all-but-forgotten figure in the history of civil  Lire la suite...
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Détails

Genre/forme : Fiction
Personne nommée : Walter Francis White
Type d’ouvrage : Fiction, Public jeunesse
Format : Livre
Tous les auteurs / collaborateurs : Tom Dyja
ISBN : 0786715057 9780786715053
Numéro OCLC : 57335389
Notes : LC copy signed by author.
Description : xiii, 354 p. ; 24 cm.
Responsabilité : Thomas Dyja.
Plus d’informations :

Résumé :

Recruited in 1918 to work for the NAACP, Walter White--a lightskinned African-American man who can pass for white--is sent undercover to investigate a lynching, all the while confronted with personal issues of identity. From the author of the award-winning novel Play for a Kingdom comes a masterful story inspired by the early life of Walter White, a dynamic but now all-but-forgotten figure in the history of civil rights. The twenty-four-year-old White was recruited in 1918 to work for the NAACP. Just weeks after he began, a horrible lynching took place in a small town in Tennessee and White was sent there to pose as a traveling salesman. His mission was to stay as long as it took to pry the secrets out of the town. Dyja paints a complex portrait of shifting identity as White, a blonde, blue-eyed, and very light-skinned African-American, moves back and forth between white and black, working his way into both the good-old-boy network of the town and the besieged African-American community. Forced to rethink his assumptions about what really happened in the town of Sibley Springs the night of the lynching, he struggles to establish guilt and innocence in a foreign landscape, confronting as well his own questions of identity. When another lynching looms, White must decide if he will risk everything to save a black life and the white souls of Sibley Springs.

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Données liées


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