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Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich

Author: Pamela Maxine Potter
Publisher: New Haven : Yale University Press, ©1998.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi  Read more...
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Genre/Form: History
Document Type: Book
All Authors / Contributors: Pamela Maxine Potter
ISBN: 0300072287 9780300072280
OCLC Number: 38270156
Description: xx, 364 pages ; 25 cm
Contents: 1. The background : music and German society, 1918-1945 --
2. Musicologists on their role in modern German society --
3. The organization and reorganization of musicological scholarship --
4. Musicology in the university --
5. New opportunities outside the university, 1933-1945 --
6. The shaping of new methodologies --
7. Attempts to define "Germanness" in music --
8. Denazification and the German musicological legacy.
Responsibility: Pamela M. Potter.
More information:

Abstract:

"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time."--Jacket.

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