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Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich

Auteur : Pamela Maxine Potter
Éditeur: New Haven : Yale University Press, ©1998.
Édition/format:   Livre imprimé : AnglaisVoir toutes les éditions et tous les formats
Base de données:WorldCat
Résumé:
"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi  Lire la suite...
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Détails

Genre/forme: History
Type de document: Livre
Tous les auteurs / collaborateurs: Pamela Maxine Potter
ISBN: 0300072287 9780300072280
Numéro OCLC: 38270156
Description: xx, 364 pages ; 25 cm
Contenu: 1. The background : music and German society, 1918-1945 --
2. Musicologists on their role in modern German society --
3. The organization and reorganization of musicological scholarship --
4. Musicology in the university --
5. New opportunities outside the university, 1933-1945 --
6. The shaping of new methodologies --
7. Attempts to define "Germanness" in music --
8. Denazification and the German musicological legacy.
Responsabilité: Pamela M. Potter.
Plus d’informations:

Résumé:

"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time."--Jacket.

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Données liées


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