passa ai contenuti
Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich

Autore: Pamela Maxine Potter
Editore: New Haven : Yale University Press, ©1998.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: History
Tipo documento: Book
Tutti gli autori / Collaboratori: Pamela Maxine Potter
ISBN: 0300072287 9780300072280
Numero OCLC: 38270156
Descrizione: xx, 364 p. ; 25 cm.
Contenuti: 1. The background : music and German society, 1918-1945 --
2. Musicologists on their role in modern German society --
3. The organization and reorganization of musicological scholarship --
4. Musicology in the university --
5. New opportunities outside the university, 1933-1945 --
6. The shaping of new methodologies --
7. Attempts to define "Germanness" in music --
8. Denazification and the German musicological legacy.
Responsabilità: Pamela M. Potter.
Maggiori informazioni:

Abstract:

"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time."--BOOK JACKET.

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/38270156>
library:oclcnum"38270156"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/38270156>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"1998"
schema:creator
schema:datePublished"1998"
schema:exampleOfWork<http://worldcat.org/entity/work/id/898195270>
schema:genre"History"@en
schema:genre"History."@en
schema:inLanguage"en"
schema:name"Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich"@en
schema:numberOfPages"364"
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/38270156>
schema:reviewBody""This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time."--BOOK JACKET."
schema:url
schema:workExample

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.