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Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich

Autore: Pamela Maxine Potter
Editore: New Haven : Yale University Press, ©1998.
Edizione/Formato:   book_printbook : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi  Per saperne di più…
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Dettagli

Genere/forma: History
Tipo documento: Book
Tutti gli autori / Collaboratori: Pamela Maxine Potter
ISBN: 0300072287 9780300072280
Numero OCLC: 38270156
Descrizione: xx, 364 pages ; 25 cm
Contenuti: 1. The background : music and German society, 1918-1945 --
2. Musicologists on their role in modern German society --
3. The organization and reorganization of musicological scholarship --
4. Musicology in the university --
5. New opportunities outside the university, 1933-1945 --
6. The shaping of new methodologies --
7. Attempts to define "Germanness" in music --
8. Denazification and the German musicological legacy.
Responsabilità: Pamela M. Potter.
Maggiori informazioni:

Abstract:

"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time."--Jacket.

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