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Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich

著者: Pamela Maxine Potter
出版: New Haven : Yale University Press, ©1998.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi  続きを読む
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ジャンル/形式: History
ドキュメントの種類: 図書
すべての著者/寄与者: Pamela Maxine Potter
ISBN: 0300072287 9780300072280
OCLC No.: 38270156
物理形態: xx, 364 pages ; 25 cm
コンテンツ: 1. The background : music and German society, 1918-1945 --
2. Musicologists on their role in modern German society --
3. The organization and reorganization of musicological scholarship --
4. Musicology in the university --
5. New opportunities outside the university, 1933-1945 --
6. The shaping of new methodologies --
7. Attempts to define "Germanness" in music --
8. Denazification and the German musicological legacy.
責任者: Pamela M. Potter.
その他の情報:

概要:

"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time."--Jacket.

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