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Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich

Autor: Pamela Maxine Potter
Editora: New Haven : Yale University Press, ©1998.
Edição/Formato   Print book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi  Ler mais...
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Detalhes

Gênero/Forma: History
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Pamela Maxine Potter
ISBN: 0300072287 9780300072280
Número OCLC: 38270156
Descrição: xx, 364 pages ; 25 cm
Conteúdos: 1. The background : music and German society, 1918-1945 --
2. Musicologists on their role in modern German society --
3. The organization and reorganization of musicological scholarship --
4. Musicology in the university --
5. New opportunities outside the university, 1933-1945 --
6. The shaping of new methodologies --
7. Attempts to define "Germanness" in music --
8. Denazification and the German musicological legacy.
Responsabilidade: Pamela M. Potter.
Mais informações:

Resumo:

"This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time."--Jacket.

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