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Moving images : photography and the Japanese American incarceration

Autor: Jasmine Alinder
Editora: Urbana : University of Illinois Press, ©2009.
Séries: Asian American experience.
Edição/Formato   Imprimir livro : Publicação de governo estadual ou província : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government hired photographers to make an extensive record of the forced removal and  Ler mais...
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Detalhes

Tipo de Material: Publicação do governo, Publicação de governo estadual ou província, Recurso Internet
Tipo de Documento Livro, Recursos de internet
Todos os Autores / Contribuintes: Jasmine Alinder
ISBN: 9780252033988 0252033981
Número OCLC: 232636512
Descrição: xvi, 207 pages : illustrations, map ; 24 cm.
Conteúdos: When the innocents suffer : Dorothea Lange and the War Relocation Authority --
The landscape of loyalty : Ansel Adams's Born free and equal --
The right to represent : Toyo Miyatake's photographs of Manzanar --
Art/history : photographs of Japanese American incarceration in the museum --
Virtual pilgrimage : the contemporary incarceration photography of Patrick Nagatani and Masumi Hayashi.
Título da Série: Asian American experience.
Responsabilidade: Jasmine Alinder.
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Resumo:

Explores the photographic record of the imprisonment in war relocation centres such as Manzanar, Tule Lake, Jerome, and others. This study investigates why photographs were made, how they were meant  Ler mais...

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"An excellent history of the incarceration . . . this is valuable for anyone interested in Japanese-American history."--Multicultural Review"Contributes significantly to making the World War II Ler mais...

 
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   schema:reviewBody ""When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government hired photographers to make an extensive record of the forced removal and incarceration but forbade Japanese Americans from photographically documenting the conditions of the camps or any aspect of their lives. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they have been reproduced and interpreted subsequently by the popular press and museums in constructing versions of public history." "Moving Images examines the work of Japanese American photographers operating both during and after the incarceration, including Manzanar inmate Toyo Miyatake, who constructed his own camera to document the complicated realities of camp life for his fellow inmates. More recently, contemporary artists Patrick Nagatani and Masumi Hayashi have used photography to reckon with the legacy of incarceration by journeying to the camp sites and creating photographs that bridge the intergenerational divides between their parents, themselves, and their children." "Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment."--Jacket." ;
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