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Moving images : photography and the Japanese American incarceration

作者: Jasmine Alinder
出版商: Urbana : University of Illinois Press, ©2009.
叢書: Asian American experience.
版本/格式:   Print book : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government hired photographers to make an extensive record of the forced removal and  再讀一些...
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資料類型: 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Jasmine Alinder
ISBN: 9780252033988 0252033981
OCLC系統控制編碼: 232636512
描述: xvi, 207 pages : illustrations, map ; 24 cm.
内容: When the innocents suffer : Dorothea Lange and the War Relocation Authority --
The landscape of loyalty : Ansel Adams's Born free and equal --
The right to represent : Toyo Miyatake's photographs of Manzanar --
Art/history : photographs of Japanese American incarceration in the museum --
Virtual pilgrimage : the contemporary incarceration photography of Patrick Nagatani and Masumi Hayashi.
叢書名: Asian American experience.
責任: Jasmine Alinder.
更多資訊:

摘要:

Explores the photographic record of the imprisonment in war relocation centres such as Manzanar, Tule Lake, Jerome, and others. This study investigates why photographs were made, how they were meant  再讀一些...

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"A sophisticated and deeply historical book that illustrates the multiple roles photographs played in the internment of Japanese Americans during WWII. In addition to detailing how U.S. authorities 再讀一些...

 
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Primary Entity

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    schema:reviewBody ""When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government hired photographers to make an extensive record of the forced removal and incarceration but forbade Japanese Americans from photographically documenting the conditions of the camps or any aspect of their lives. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they have been reproduced and interpreted subsequently by the popular press and museums in constructing versions of public history." "Moving Images examines the work of Japanese American photographers operating both during and after the incarceration, including Manzanar inmate Toyo Miyatake, who constructed his own camera to document the complicated realities of camp life for his fellow inmates. More recently, contemporary artists Patrick Nagatani and Masumi Hayashi have used photography to reckon with the legacy of incarceration by journeying to the camp sites and creating photographs that bridge the intergenerational divides between their parents, themselves, and their children." "Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment."--Jacket." ;
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