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Mozart's Requiem : reception, work, completion

Author: Simon P Keefe
Publisher: Cambridge, UK ; New York : Cambridge University Press, 2012.
Series: Music in context.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Keefe, Simon P., 1968-
Mozart's Requiem.
Cambridge, UK ; New York : Cambridge University Press, 2012
(DLC) 2011053269
(OCoLC)772771712
Named Person: Wolfgang Amadeus Mozart; Wolfgang Amadeus Mozart
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Simon P Keefe
ISBN: 9781139525503 1139525506 9781139027021 1139027026 9781139527897 1139527894
OCLC Number: 804845569
Awards: Winner of Marjorie Weston Emerson Award, Mozart Society of America 2013
Description: 1 online resource (xiii, 263 pages) : illustrations.
Contents: Cover; Mozart's Requiem; Series editors; Title; Copyright; Didection; Contents; Music examples; Tables; Acknowledgements; Introduction: Mozart's Requiem in context; 1: The Requiem legend in the nineteenth and twentieth centuries; The legend of Mozart's Requiem in the nineteenth century; The Requiem in nineteenth-century fiction, drama and poetry; The Requiem legend in the twentieth century; Conclusion; 2: Criticism and scholarship from 1800 to the present day; Nineteenth-century critical discussion of the Requiem; Early criticism, to 1824; The years of the Requiem-Streit, 1825-1842; 1842-1900. 20th -and 21st-century criticism and scholarship1900-1950; From 1950 onwards; Conclusion; 3: The Requiem in performance; Nineteenth-century editions; Nineteenth-century performances; 20th- and 21st-century performances and recordings; Conclusion; 4: Mozart's work on the Requiem: sounds and strategies; Sounds and strategies in the Requiem; Introit; Kyrie; The Sequence: Dies irae; The Sequence: Tuba mirum; The Sequence: Rex tremendae; The Sequence: Recordare; The Sequence: Confutatis; The Sequence: Lacrymosa; The Offertory: Domine Jesu; The Offertory: Hostias. Requiem sounds and strategies in contextConclusion; 5: After Mozart: the Requiem completion, 1791-1792; The orchestration of the Sequence and the Offertory; The Sequence: Dies irae; The Sequence: Tuba mirum; The Sequence: Rex tremendae; The Sequence: Recordare; The Sequence: Confutatis; The Sequence: Lacrymosa; The Offertory: Domine Jesu and Hostias; The Sanctus, Benedictus, Agnus Dei and Communio; Süssmayr's completion in context; Conclusion; 6: Modern completions of the Requiem; Levin, Beyer and Maunder completions; Conclusion; Epilogue: a Requiem for the future. Appendix: original text of Franz Xaver Süssmayr's letter to Breitkopf & amp; Härtel (1800)Select bibliography; Index.
Series Title: Music in context.
Responsibility: Simon P. Keefe.
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Abstract:

A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.  Read more...

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'It is astounding that Keefe opens up new ground in large areas ... A far-reaching book ... All in all, a first-class monograph, outstandingly produced and printed, which will be read cover to cover Read more...

 
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