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Mucho macho : seduction, desire, and the homoerotic lives of Latin men

Author: Chris Girman
Publisher: New York : Routledge, 2012.
Series: Haworth gay & lesbian studies.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Chris Girman
ISBN: 9781315801605 1315801604
OCLC Number: 868927455
Description: 1 online resource (432 pages).
Contents: * Foreword (Robert A. Fernea) * Acknowledgments * Introduction * Is Latin America a Coherent Entity? * Marking My Position * Orientation * Some Caveats * Chapter 1. Machismo and Macho Performance * Male [Homo]Sexual Encounters in Latin America * Deconstructing Machismo * Uniting System and Self: From Habitus to Performance * Queer Performativity * Conclusion * Chapter 2. Head, Hands, Balls, and Ass * From a Theory of the Body to the Body As Theory * The Macho Body * Structural and Psychological Variables * Conclusion * Chapter 3. The Dominican Tiguere and Hegemonic Masculinities * Introduction * El Tiguere * Tigueres, Conejos, y Patos [Tigers, Rabbits, and Ducks]: Dominican Tiguere Sexuality * The Kid, the Cop, the Thief, and My Lover: Five Stories * Conclusion * Chapter 4. Desire in a Costa Rican Prison * Introduction * Junior * Hegemonic Masculinity in San Sabastian * Phallocentrism and Desire * Pleasure * Desire As Identification * Cacherismo and Resistance/Alternative Discourses * Conclusion * Chapter 5. Historical Representations of Same-Sex Desire in Esteban Echeverria's "El Matadero" and Reinaldo Arenas's "Comienza el Desfile" * Introduction * Los Hermanos Sodomitas: Masculinity and [Homo]eroticism in Echeverria's "El Matadero" * La Busqueda del Huerfano: Disenchantment and [Homo]eroticism in Arenas's "Comienza el Desfile" * A Carnivalesque Critique * Chapter 6. Familiar, Familial Voices: Latino Men Speak Out * Introduction * Forming the Chicano Other * Speaking of Family * Masculine Assumption[s] * Conclusion * Chapter 7. Performing Matter[s]: Masculinities, the Male Body, and the Evocation of the [Not] Real * Introduction * Performative Writing * The Male Body * Emergent Ethnography and the Emergence of the Body * Toward a Performative Ethnography * Desde Santo Domingo hasta San Antonio: Putting My Own Body on the Line * Conclusion * The Final Act: Why It All Matters * Notes * Bibliography * Index
Series Title: Haworth gay & lesbian studies.
Responsibility: Chris Girman.

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