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Multimodal film analysis : how films mean

Author: John A Bateman; Karl-Heinrich Schmidt
Publisher: New York : Routledge, 2012.
Series: Routledge studies in multimodality, 5.
Edition/Format:   Print book : EnglishView all editions and formats
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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: John A Bateman; Karl-Heinrich Schmidt
ISBN: 9780415883511 0415883512 9780203128220 0203128222
OCLC Number: 641536304
Description: viii, 330 pages : illustrations ; 24 cm.
Contents: Analysing film. Distinguishing the filmic contribution to meaning --
Examples of filmic "textual organisation" --
Redrawing boundaries --
Organisation of the book --
Semiotics and documents. Semiotics and its relations to film --
The nature of discourse semantics --
The film as cinematographic document --
A combined view: filmic documents for filmic discourse --
Constructing the semiotic mode of film. Semiotic multimodality --
The internal organisation of semiotic strata --
Composing and combining semiotic modes --
Materiality and "epistemological commitment" --
Christian Metz and the grande syntagmatique of the image track. The original model --
Two examples of analysis with the grande syntagmatique --
Revisions and rebuttals --
Foundations for analysis: filmic units. The basic units of film: preliminaries --
Audiovisual iconic representations --
Perception, perceptual realism and reliable measurement --
Multiplicity: from perception to discourse --
Filmic units revisited: discourse-motivated definitions --
The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique --
Capturing discourse dependency structures in film --
The paradigmatic dimensions of projection, taxis and plane --
Two examples of paradigmatic analysis --
Summary and conclusions.
Series Title: Routledge studies in multimodality, 5.
Responsibility: John A. Bateman and Karl-Heinrich Schmidt.
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"By developing a framework for multimodal film analysis, Bateman and Schmidt bridge the gap between accounts that analyse film shot by shot and those accounts who primarily focus on larger units such Read more...

 
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