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Music and imagination

著者: Aaron Copland
出版社: Cambridge : Harvard University Press, 1952.
シリーズ: Charles Eliot Norton lectures, 1951-52.
エディション/フォーマット:   紙書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
The six talks were intended as a free improvisation on the general theme of the role imagination plays in the art of music. The first half of the book treats of the musical mind at work in its different capacities as listener, interpreter, or creator. The second half discusses more specifically recent manifestations of the imaginative mind in the music of Europe and the Americas. The lectures were followed in each  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
その他のフォーマット: Online version:
Copland, Aaron, 1900-1990.
Music and imagination.
Cambridge, Harvard University Press, 1952
(OCoLC)610221151
ドキュメントの種類 書籍
すべての著者/寄与者: Aaron Copland
OCLC No.: 248989
物理形態: ix, 116 pages ; 22 cm.
コンテンツ: Introduction --
Part one : Music and the imaginative mind. The gifted listener --
The sonorous image --
The creative mind and the interpretative mind --
Part two : Musical imagination and the contemporary scene. Tradition and innovation in recent European music --
Musical imagination in the Americas --
The composer in industrial America --
Postscript : Programs presented November 1951 and March 1952.
シリーズタイトル: Charles Eliot Norton lectures, 1951-52.
責任者: by Aaron Copland.

概要:

The six talks were intended as a free improvisation on the general theme of the role imagination plays in the art of music. The first half of the book treats of the musical mind at work in its different capacities as listener, interpreter, or creator. The second half discusses more specifically recent manifestations of the imaginative mind in the music of Europe and the Americas. The lectures were followed in each instance by short concerts. - Preface.

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