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Music and imagination

저자: Aaron Copland
출판사: Cambridge : Harvard University Press, 1952.
시리즈: Charles Eliot Norton lectures, 1951-52.
판/형식:   Print book : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
The six talks were intended as a free improvisation on the general theme of the role imagination plays in the art of music. The first half of the book treats of the musical mind at work in its different capacities as listener, interpreter, or creator. The second half discusses more specifically recent manifestations of the imaginative mind in the music of Europe and the Americas. The lectures were followed in each  더 읽기…
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장르/형태: Criticism, interpretation, etc
추가적인 물리적 형식: Online version:
Copland, Aaron, 1900-1990.
Music and imagination.
Cambridge, Harvard University Press, 1952
(OCoLC)610221151
문서 형식:
모든 저자 / 참여자: Aaron Copland
OCLC 번호: 248989
설명: ix, 116 pages ; 22 cm.
내용: Introduction --
Part one : Music and the imaginative mind. The gifted listener --
The sonorous image --
The creative mind and the interpretative mind --
Part two : Musical imagination and the contemporary scene. Tradition and innovation in recent European music --
Musical imagination in the Americas --
The composer in industrial America --
Postscript : Programs presented November 1951 and March 1952.
일련 제목: Charles Eliot Norton lectures, 1951-52.
책임: by Aaron Copland.

초록:

The six talks were intended as a free improvisation on the general theme of the role imagination plays in the art of music. The first half of the book treats of the musical mind at work in its different capacities as listener, interpreter, or creator. The second half discusses more specifically recent manifestations of the imaginative mind in the music of Europe and the Americas. The lectures were followed in each instance by short concerts. - Preface.

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