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Music and imagination

著者: Aaron Copland
出版商: Cambridge : Harvard University Press, 1952.
丛书: Charles Eliot Norton lectures, 1951-52.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
The six talks were intended as a free improvisation on the general theme of the role imagination plays in the art of music. The first half of the book treats of the musical mind at work in its different capacities as listener, interpreter, or creator. The second half discusses more specifically recent manifestations of the imaginative mind in the music of Europe and the Americas. The lectures were followed in each  再读一些...
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详细书目

类型/形式: Criticism, interpretation, etc
附加的形体格式: Online version:
Copland, Aaron, 1900-1990.
Music and imagination.
Cambridge, Harvard University Press, 1952
(OCoLC)610221151
文件类型:
所有的著者/提供者: Aaron Copland
OCLC号码: 248989
描述: ix, 116 pages ; 22 cm.
内容: Introduction --
Part one : Music and the imaginative mind. The gifted listener --
The sonorous image --
The creative mind and the interpretative mind --
Part two : Musical imagination and the contemporary scene. Tradition and innovation in recent European music --
Musical imagination in the Americas --
The composer in industrial America --
Postscript : Programs presented November 1951 and March 1952.
丛书名: Charles Eliot Norton lectures, 1951-52.
责任: by Aaron Copland.

摘要:

The six talks were intended as a free improvisation on the general theme of the role imagination plays in the art of music. The first half of the book treats of the musical mind at work in its different capacities as listener, interpreter, or creator. The second half discusses more specifically recent manifestations of the imaginative mind in the music of Europe and the Americas. The lectures were followed in each instance by short concerts. - Preface.

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