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The music and sound of experimental film

Author: Holly Rogers, (Professor of music); Jeremy Barham
Publisher: New York, NY : Oxford University Press, [2017]
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
This book explores the role of music and sound in experimental film from the earliest work of pioneers such as Walther Ruttmann to latter-day experiments with new and digital media. Chapters examine issues relating to the avant-garde, abstraction, animation, found footage, queer film, visual music and VJing.
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Genre/Form: Criticism, interpretation, etc
Electronic books
Additional Physical Format: Print version:
Music and sound of experimental film.
New York, NY : Oxford University Press, [2017]
(DLC) 2016049716
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Holly Rogers, (Professor of music); Jeremy Barham
ISBN: 9780190469917 0190469919
OCLC Number: 961457623
Description: 1 online resource (xvi, 320 pages)
Contents: Cover; The Music and Sound of Experimental Film; Copyright; Dedication; Contents; Preface; Acknowledgements; List of Contributors; Introduction; 1. Absolute Sounding Images: Abstract Film and Radio Drama of the 1920s as Complementary Forms of a Media-Specific Art; 2. A Primitivism of the Senses: The Role of Music in Len Lye's Experimental Animation; 3. An Educational Avant-Garde: Sound and Music in Julien Bryan's OIAA Films on Latin America, 1942-1949; 4. "bump ... bup ... bup": Aural Innovation in the Films of Norman McLaren 5. Sights and Sounds of the Moving Mind: The Visionary Soundtracks of Stan Brakhage6. Discontinuities and Resynchronisations: The Use of Sound in Polish Experimental Cinema from the 1930s to the 1980s; 7. Grid Intensities: Hearing Structures in Chantal Akerman's Films of the 1970s; 8. Meaning and Musicality: Sound-Image Relations in the Films of John Smith; 9. Audiovisual Dissonance in Found-Footage Film; 10. Rebalancing the Picture-Sound Relationship: The Audiovisual Compositions of Lis Rhodes 11. Sounding Decay in the Digital Age: "Audio-Visions" of Decasia (2002) and Lyrical Nitrate (1991)12. The Sound of Queer Experimental Film; 13. Avant-Gardists and the Lure of Pop Music; 14. The Music of Gustav Mahler in Experimental Film Contexts: Questions of Visual Music and Intermedial Theory; Index
Responsibility: edited by Holly Rogers and Jeremy Barham.

Abstract:

This book explores the role of music and sound in experimental film from the earliest work of pioneers such as Walther Ruttmann to latter-day experiments with new and digital media. Chapters examine  Read more...

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"The Music and Sound of Experimental Film is an excellent and much needed collection that assesses 'the experimental impulse' of the soundtrack. The editors have assembled a remarkably strong set of Read more...

 
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