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Music and Ultra-Modernism in France : a Fragile Consensus, 1913-1939.

Author: Barbara L Kelly
Publisher: Woodbridge : Boydell & Brewer, 2013.
Series: Music in society and culture.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Société Musicale Indépendente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936, and questions some of the stereotypes that characterise that period. It shows how Stravinsky worked closely with Ravel, Satie and Poulenc, inviting audiences and critics to rethink what it meant to be modern,  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Barbara L Kelly
ISBN: 9781782041689 1782041680
OCLC Number: 862103253
Description: 1 online resource (272 pages).
Contents: Frontcover; Contents; List of Illustrations; List of Musical Examples; Acknowledgements; List of Abbreviations; Introduction: Consensus, Resistance and New Music in France; 1 Remembering Debussy: Nostalgia and Modernism in Interwar France; 2 Musical Allegiances and Factions: Ravel, Satie and the Question of Leadership; 3 Polemics and Publicity: Composer-Critic Partnerships; 4 Musical Continuities: Sonority, Exoticism and Abstraction; 5 In Search of the Musical esprit du temps; 6 Surface Division, Deep Consensus: Classicism and Secularism and their Challenges. Conclusions: Music for the patrimoine --
Remembering Interwar Music in FranceBibliography; Index; Backcover.
Series Title: Music in society and culture.

Abstract:

Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Société Musicale Indépendente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936, and questions some of the stereotypes that characterise that period. It shows how Stravinsky worked closely with Ravel, Satie and Poulenc, inviting audiences and critics to rethink what it meant to be modern, and how Emile Vuillermoz, Léon Vallas and Henry Prunières competed to shape Debussy's legacy. The book argues for the vitality of French music in the period 1913-39 and challenges the.

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