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Music and war in Europe from the French Revolution to WWI

Author: Étienne Jardin
Publisher: Turnhout : Brepols, [2016] ©2016
Series: Music, criticism & politics, 2.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
This book investigates the relationship between music and war from the end of the XVIII century to WWI, and aims to investigate that relationship by adopting a larger time-span: from the end of eighteenth century until the outbreak of the First World War. Bringing together more than twenty case studies dealing with several European wars, it also investigates the evolution of the perception of the sound of war, and  Read more...
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Document Type: Book
All Authors / Contributors: Étienne Jardin
ISBN: 9782503570327 2503570321
OCLC Number: 1000926669
Language Note: The majority articles are in English, the remainder in French, Italian, or German.
Notes: Includes preface, biographical notes on the contributors, and an index of names.
Description: xii, 467 pages : illustrations, facsimiles, music ; 27 cm.
Contents: The sound of war. What scenes! What sounds : some remarks on soundscapes in war times / Martin Kaltenecker ; Music during battle, representation and reality : the case of the great Highland bagpipe in the nineteenth century / Morag Josephine Grant ; La chanson au front durant la Grande Guerre / Éric Sauda --
Military and political music. Music for cannons : Giuseppe Sarti in the Second Turkish War / Bella Brover-Lubovsky ; Italienische Schlactenmusiken zu Napoleon Bonaparte : Die Schlacht von Marengo / Stephanie Klauk ; Milan and the music of political transitions in the Napoleonic period : the case of Ambrogio Minoja (1752-1825) ; Military music and rebellion, Ireland : 1793 to 1816 / Patrick O'Connell ; Significance of the wind band music from the Napoleonic era to the Congress of Vienna : exemple with 'Gott erhalte den Kaiser' by Jospeh Triebensee (1810) ; Václav František Červený and his successors / Michaela Freemanová --
L'assedio di Tetuan (1859-1860) : una causa comune in tempi di instabilità nazionale / Sara Navarro Lalanda ; Globalizing the military style : transatlantic relations in Belle époque march composing / Tobias Fasshauer ; I canti italiani di protesta nella Grande guerra / Cristina Scuderi --
Publishing and teaching music during wartime. European music publishing during the Napoleonic wars / David Rowland ; Les relations commerciales de Jean-Jérôme Imbault d'après l'acte de vente du 14 juillet 1812 / Henri Vanhulst ; Selling string quartets in Napoleonic Vienna / Nancy November ; War and peace in Paris, 1795-1815 : military repercussions on the Paris Music Conservatoire / Frédéric de la Grandville ; "Aux armes! Musiciens" : Les élèves du Conservatoire national en Grande Guerre / David Mastin --
Echoes of war in the repertoire. L'influence de la guerre sur le répertoire d'opéra-comique pendant la Révolution / Maxime Margollé ; Battle and siege in the opera of the French Revolution and in the Napoleonic era / Maria Birbili ; Ludwig van Beethoven Symphonie Nr. 7 in A-dur : Eine 'Kriegsymphonie'? / Rainer Kleinertz ; A valiant nation : images of Poland and the Poles in German Singspiel c1830 / Ryszard Daniel Golianek ; Solidarità dei popoli e idea di patria : i poemi sinfonici di Augusta Holmès / Mariateresa Storino ; "Ein gute Wehr und Waffen" : apocalyptic and redemptive narratives in organ music from the Great War / James Garratt --
Mourning. Ties that bind : music, mourning, and the development of intimacy and alternative kinship networks in World War I-era France / Jillian Rogers.
Series Title: Music, criticism & politics, 2.
Responsibility: edited by Étienne Jardin.

Abstract:

This book investigates the relationship between music and war from the end of the XVIII century to WWI, and aims to investigate that relationship by adopting a larger time-span: from the end of eighteenth century until the outbreak of the First World War. Bringing together more than twenty case studies dealing with several European wars, it also investigates the evolution of the perception of the sound of war, and proposes new perspectives based on recent music and war studies.

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