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Music, body, and desire in medieval culture : Hildegard of Bingen to Chaucer

Author: Bruce W Holsinger
Publisher: Stanford, Calif. : Stanford University Press, 2001.
Series: Figurae.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:

Ranging chronologically from the 12th to the 15th centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and  Read more...

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Document Type: Book
All Authors / Contributors: Bruce W Holsinger
ISBN: 0804732019 9780804732017 0804740585 9780804740586
OCLC Number: 471760116
Description: xviii, 472 p.
Contents: Preface and acknowledgments; List of illustrations; Abbreviations; Introduction; Part I. Backgrounds: Musical Embodiments in Christian Late Antiquity: 1. The resonance of the flesh; 2. Saint Augustine and the rhythms of embodiment; Part II. Liturgies of Desire: 3. Sine Tactu Viri: the musical somatics of Hildegard of Bingen; 4. Polyphones and sodomites: music and sexual dissidence from Leoninus to Chaucer's pardoner; Part III. Sounds of Suffering: 5. The musical body in pain: passion, percussion, and melody in the thirteenth-century religious practice; 6. Musical violence and the pedagogical body: the prioress's tale and the ideologies of 'song'; Part IV. Resoundings: 7. Orpheus in parts: music, fragmentation, remembrance; Epilogue; Notes; Bibliography; Index.
Series Title: Figurae.
Responsibility: Bruce W. Holsinger.

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"The virtues of Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer are many. Holsinger's volume is deeply learned, forcefully argued, generous even in its polemics, and, not Read more...

 
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