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Music entrepreneurship

Author: Allan Dumbreck; Gayle McPherson
Publisher: London : Bloomsbury Methuen Drama, 2016. ©2016
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Music Entrepreneurship features case-study analyses of the music industry environment and examines the value of the entrepreneur within it.

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Genre/Form: Electronic books
Additional Physical Format: Print version:
Dumbreck, Allan.
Music entrepreneurship.
London : Bloomsbury Methuen Drama, 2016
(OCoLC)933426369
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Allan Dumbreck; Gayle McPherson
ISBN: 9781472531100 1472531108
OCLC Number: 930703386
Description: 1 online resource.
Contents: Cover page; Halftitle page; Title page; Copyright page; Epigraph; CONTENTS; ACKNOWLEDGEMENTS; LIST OF CONTRIBUTORS; LIST OF CASE STUDIES; LIST OF INTERVIEWS; PART ONE Overview; 1 Introduction: Valuing Music; Valuing music: Production and consumption; Who is the young music entrepreneur?; Outline of the book; Conclusion; References; 2 The Need for the Music Entrepreneur; The nature of the music industries; Record labels: Fluctuating economy/ new business models; Emerging territories; The music entrepreneur; Which skills might the music entrepreneur need? Art versus commerce: Striking a balanceSelf- belief: Opportunity/motivation; Challenge/determination/failure as a learning experience; Networking; Exchanging not buying; Passion/work ethic; Summary: Characteristics of the music entrepreneur; Conclusions: Entrepreneurship in music education; Notes; References; 3 From DIY to D2F: Contextualizing Entrepreneurship for the Artist/Musician; Introduction; Part 1: Entrepreneurship and DIY; From Punk to post-Punk; Part 2: Major labels and 360-degree deals; Part 3: From DIY to D2F; Part 4: Playing the platforms; Part 5: The D2F entrepreneur; Conclusion NotesReferences; 3A Example Case Study?: The Professional Musician; Case study: Ross McFarlane (professional musician); References; PART TWO Sectors and Case Studies; 4 Artist Managers and Entrepreneurship: Risk- takers or Risk Averse?; Introduction; The changing nature and reputation of artist managers; Locating the artist manager as an entrepreneur; Case study: Sumit Bothra (ATC Management); Case study: Princess Nyah (self- managing artist); Conclusion; Notes; References; Websites; 5 Live Music; Outline; Introduction; The role of the entrepreneur in the live sector Case study: Goc O'Callaghan (ArcTanGent Festival)Case study: Joe Smillie, the Glad Café; Conclusion; References; Useful sources; 6 Entrepreneurship and Music Technology Practitioners; Key concepts and issues; Case study: Chantal Epp (Synergy Sounds); Case study: Helen Atkinson (Producer/Engineer at RAK Studios); Conclusion; Notes; References; Websites; 7 Recorded Music; The recorded music sector; Copyright issues; The record company entrepreneur; Case study: Jay Frank (DigSin); Case study: Mark Orr ( LAB Records); Summary; Conclusions; Notes; References; 8 Digital Music Distribution Web 3.0 and digital music distributionIndependent artists as prosumers: Tools for digital distribution; The digital distribution landscape; Sector overview; Digital aggregators; Digital retailers; Streaming services; New developments: Tidal; Subscription services; Crowdfunding platforms; Digital content management platforms; Case study: EmuBands (Ally Gray); Case study: Jessica Carmody (Account Manager at PledgeMusic UK); 'I'm not an entrepreneur': A British perspective?; References; Websites; 9 Music Publishing: How to Understand and Engage with Copyright in the Digital World; Introduction
Responsibility: Allan Dumbreck and Gayle McPherson.

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The book charts the ongoing evolution of music businesses and the focus shift to independent companies ... helping emerging artists to find opportunities that may be unadvertised in the professional Read more...

 
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