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Music for sight singing

Author: Robert W Ottman
Publisher: Upper Saddle River, N.J. : Prentice-Hall, ©1996.
Edition/Format:   Musical score : English : 4th edView all editions and formats
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Additional Physical Format: Online version:
Ottman, Robert W.
Music for sight singing.
Upper Saddle River, N.J. : Prentice-Hall, ©1996
(OCoLC)755292297
Document Type: Musical Score
All Authors / Contributors: Robert W Ottman
ISBN: 0132343606 9780132343602
OCLC Number: 34607845
Notes: Some selections contain words.
Description: xvii pages, 360 pages of music ; 23 cm
Contents: Part I: Melody: Diatonic intervals --
Rhythm: Division of the beat --
1. Melody: Scale-line movement, major keys --
Rhythm: Simple time (meter); the beat and its division in two parts --
2. Melody: Intervals from the tonic triad, major keys --
Rhythm: Simple time --
3. Melody: Intervals from the tonic triad, major keys --
Rhythm: Compound time (meter); the beat and its division into three parts --
4. Melody: Minor keys; intervals from the tonic triad --
Rhythm: Simple and compound time --
5. Melody: Intervals from the dominant (V) triad; major and minor keys --
Rhythm: Simple and compound time --
6. The C clefs: Alto and tenor clefs --
7. Melody: Further use of diatonic intervals --
Rhythm: Simple and compound time --
8. Melody: Intervals from the dominant seventh chord (V7); Other diatonic intervals of the seventh --
Rhythm: Simple and compound time. Part II: Melody: Diatonic intervals --
Rhythm: Subdivision of the beat --
9. Rhythm: The subdivision of the beat; the simple beat into four parts; the compound beat into six parts --
10. Melody: Intervals from the tonic and dominant triads --
Rhythm: Subdivision in simple and compound time --
11. Melody: Further use of diatonic intervals --
Rhythm: Subdivision in simple and compound time. Part III: Melody: Chromaticism --
Rhythm: Further rhythmic practices --
12. Melody: Chromaticism (1): Chromatic tones; the dominant of the dominant (V/V) harmony; Modulation to the key of the dominant --
13. Melody: Chromaticism (II): Modulation to closely related keys; additional secondary dominant harmonies --
14. Rhythm: Syncopation --
15. Rhythm: Triplet division of undotted note values; duplet division of dotted note values --
16. Rhythm: Changing time signatures; the hemiola; less common time signatures --
17. Rhythm: Further subdivision of the beat; notation in slow tempi --
18. Melody: Chromaticism (III): Additional uses of chromatic tones; remote modulation. Part IV: The medieval modes and twentieth-century music --
19. Melody: The medieval modes --
20. Twentieth-century melody.
Responsibility: Robert W. Ottman.

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