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Music in Russian poetry

Author: Paul Friedrich
Publisher: New York : Peter Lang, ©1998.
Series: Middlebury studies in Russian language and literature, v. 10.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
This innovative work from Paul Friedrich surveys the Russian lyric scene from the mid-eighteenth century through the Modern period, in terms of the poets' own ideas as well as the author's interpretations.
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Friedrich, Paul, 1927-
Music in Russian poetry.
New York : Peter Lang, ©1998
(OCoLC)654758996
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Paul Friedrich
ISBN: 0820433470 9780820433479
OCLC Number: 34553493
Description: xvii, 344 pages ; 23 cm.
Contents: pt. I. Exposition. The Craft of Musical Poetry. 1. Musically Motivated Craft. 2. Types of Poetic Craft --
pt. II. Development. Twenty-One Russian Poets. 1. Aleksandr Sumarokov. 2. Gavrilo Derzhavin. 3. Ivan Krylov. 4. Vasily Zhukovsky. 5. Konstantin Batyushkov. 6. Aleksandr Pushkin. 7. Fyodor Tyutchev. 8. Aleksey Koltsov. 9. Mikhail Lermontov. 10. Afanasy Fet. 11. Nikolay Nekrasov. 12. Vyacheslav Ivanov. 13. Konstantin Balmont. 14. Ale ksandr Blok. 15. Velimir Khlebnikov. 16. Anna Akhmatova. 17. Boris Pasternak. 18. Osip Mandelshtam. 19. Marina Tsvetaeva. 20. Vladimir Mayakovsky. 21. Sergey Esenin --
pt. III. Recapitulations. 1. Brief Recapitulation: From Typology to Synthesis. 2. Recapitulation and Contextualization: Society. 3. Recapitulation and Projection: Linguistic Music and Multilingualism.
Series Title: Middlebury studies in Russian language and literature, v. 10.
Responsibility: Paul Friedrich.

Abstract:

This innovative work from Paul Friedrich surveys the Russian lyric scene from the mid-eighteenth century through the Modern period, in terms of the poets' own ideas as well as the author's interpretations.

Such themes as poetic craft, musicality, creativity, sociopolitical context, and multilingualism as musical competence, are discussed and interrelated through their variations in twenty-one of Russia's finest tyric poets, and then integrated through two "recapitulations." Combining broad theoretical perspectives with numerous detailed readings of key poems, Friedrich synthesizes recent Russian research with Western criticism to advance a unique series of hypotheses and generalizations.

Music in Russian Poetry is an indispensable tool for students of Russian lyric poetry, particularly its musical aspects, and will also be of value for those interested in comparative, structural, (auto)-biographical and musicological approaches to lyric poetry and poetic culture.

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