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Music in the moment

Autor: Jerrold Levinson
Verlag: Ithaca, N.Y. : Cornell University Press, 1997.
Serien: Cornell paperbacks.
Ausgabe/Medienart   Gedrucktes Buch : EnglischAlle Ausgaben und Medienarten anzeigen
Zusammenfassung:
"What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues, basic understanding of music requires nothing more than properly grounded, present-focused attention; and virtually everything in the comprehension of
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Dokumenttyp Buch
Alle Autoren: Jerrold Levinson
ISBN: 0801431298 9780801431296 9780801474293 0801474299
OCLC-Nummer: 36916491
Beschreibung: xii, 184 pages : music ; 24 cm.
Inhalt: Edmund Gurney and the experience of music --
Statement and elaboration of concatenationism --
Initial defense of concatenationism --
Concatenationism and causality --
Large-scale relationships in music --
Sonata and other forms --
Further challenges I --
Further challenges II --
Concatenationism, musical value, and musical form.
Serientitel: Cornell paperbacks.
Verfasserangabe: Jerrold Levinson.

Abstract:

"What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues, basic understanding of music requires nothing more than properly grounded, present-focused attention; and virtually everything in the comprehension of extended pieces of music that suggests explicit architectonic awareness can be explained without the need to posit a conscious grasp of relationships across broad spans."--Jacket.

"Levinson rejects the notion that keeping music's large-scale form before the mind is somehow essential to fundamental understanding of it. As evidence, he describes in detail the experience of listening to a wide range of music. He defends, with some qualifications, the views of the nineteenth-century musician and psychologist Edmund Gurney, author of The Power of Sound, who argued that musical comprehension requires only attention to the evolution of music from moment to moment."--Jacket.

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