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The music of counterculture cinema : a critical study of 1960s and 1970s soundtracks

Author: Mathew J Bartkowiak; Yuya Kiuchi
Publisher: Jefferson, North Carolina : McFarland & Company, Inc., 2015.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"Films produced in late 1960s and early 1970s America continue to frame our understanding of the counterculture era. A study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation is well documented in the music of counterculture cinema"--
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Genre/Form: Criticism, interpretation, etc
History
Document Type: Book
All Authors / Contributors: Mathew J Bartkowiak; Yuya Kiuchi
ISBN: 9780786475421 0786475420
OCLC Number: 895338257
Description: viii, 207 pages ; 23 cm
Contents: Framing Utopia : Monterey pop and the heart of the counterculture --
Creating the downfall : Gimme shelter and the "end" of the counterculture --
Searching fort the real times, baby : Head and the unmaking of the Monkees --
Love in counterculture films : music's diplomatic role in Harold and Maude --
Space is the place : Barbarella and hearing the future --
Did the soundtrack also blow it? : using rock to capture counterculture generational identity --
Setting the escapist scene with music : sex and comedy in an exotic world --
Generational genocide : selling youth rebellion in Roger Corman's Gas-s-s --
African American artists in Hollywood : Isaac Hayes' contribution to Shaft --
I'm watching it for its music : Deep throat and its soundtrack --
Challenging normativity and pushing boundaries : Midnight cowboy and cultural resistance --
Ambiguous meaning of music : combining technology and music in the dystopian world of A clockwork orange --
Understanding country ways : a talk with Country Joe McDonald about counterculture film --
Bringing the 1960s to life : an interview with director Robert Greenwald.
Responsibility: Mathew J. Bartkowiak and Yuya Kiuchi.

Abstract:

"Films produced in late 1960s and early 1970s America continue to frame our understanding of the counterculture era. A study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation is well documented in the music of counterculture cinema"--

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"Bartkowiak and Kiuchi have written a smart examination of the intersection of two key popular cultural genres. Recommended"--Choice.

 
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