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The music of Sergei Prokofiev

Autor: Neil Minturn
Editorial: New Haven : Yale University Press, ©1997.
Serie: Composers of the twentieth century.
Edición/Formato:   Print book : Biografía : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
This important book is the first comprehensive analytical study of the music of Sergei Prokofiev. Neil Minturn sets the prolific Russian composer's work in historical, cultural, and autobiographical context and examines a generous and representative sampling of his compositions from a theoretical point of view.
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Detalles

Género/Forma: Criticism, interpretation, etc
Persona designada: Sergey Prokofiev; Sergey Prokofiev; Sergey Prokofiev; Sergey Prokofiev; Sergej S Prokof·ev
Tipo de material: Biografía
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Neil Minturn
ISBN: 0300063660 9780300063660
Número OCLC: 35001816
Descripción: xiii, 241 pages : music ; 24 cm.
Contenido: Approaching the music --
Constancy and change --
Analytical categories --
Piano music --
Orchestral music --
Chamber music --
Concertos --
Vocal music.
Título de la serie: Composers of the twentieth century.
Responsabilidad: Neil Minturn.

Resumen:

This important book is the first comprehensive analytical study of the music of Sergei Prokofiev. Neil Minturn sets the prolific Russian composer's work in historical, cultural, and autobiographical context and examines a generous and representative sampling of his compositions from a theoretical point of view.

Minturn finds a central theme of Prokofiev's oeuvre to be the interplay between tradition and innovation. He discusses the composer's diverse compositional procedures (tonal versus "modern" devices), as well as the political and cultural influences on Prokofiev's works. Minturn shows how the content and structure of individual pieces and movements took shape, how Prokofiev developed the notion of five musical lines, and how the idea of the "wrong note" in his music plays out. A surprisingly consistent harmonic and rhythmic sense permeates Prokofiev's evolving style, as measured by relatively "harmonic" or "contrapuntal" emphasis. Minturn analyzes works for piano, orchestra, various chamber ensembles, and voice (including the opera The Gambler) and considers works in each category from various periods in Prokofiev's career.

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Datos enlazados


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