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The music of Sergei Prokofiev

Auteur : Neil Minturn
Éditeur : New Haven : Yale University Press, ©1997.
Collection : Composers of the twentieth century.
Édition/format :   book_printbook : Biographie : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
This important book is the first comprehensive analytical study of the music of Sergei Prokofiev. Neil Minturn sets the prolific Russian composer's work in historical, cultural, and autobiographical context and examines a generous and representative sampling of his compositions from a theoretical point of view.
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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Sergey Prokofiev; Sergey Prokofiev; Sergey Prokofiev; Sergey Prokofiev; Sergej S Prokof·ev
Type d’ouvrage : Biographie
Format : Livre
Tous les auteurs / collaborateurs : Neil Minturn
ISBN : 0300063660 9780300063660
Numéro OCLC : 35001816
Description : xiii, 241 pages : music ; 24 cm.
Contenu : Approaching the music --
Constancy and change --
Analytical categories --
Piano music --
Orchestral music --
Chamber music --
Concertos --
Vocal music.
Titre de collection : Composers of the twentieth century.
Responsabilité : Neil Minturn.

Résumé :

This important book is the first comprehensive analytical study of the music of Sergei Prokofiev. Neil Minturn sets the prolific Russian composer's work in historical, cultural, and autobiographical context and examines a generous and representative sampling of his compositions from a theoretical point of view.

Minturn finds a central theme of Prokofiev's oeuvre to be the interplay between tradition and innovation. He discusses the composer's diverse compositional procedures (tonal versus "modern" devices), as well as the political and cultural influences on Prokofiev's works. Minturn shows how the content and structure of individual pieces and movements took shape, how Prokofiev developed the notion of five musical lines, and how the idea of the "wrong note" in his music plays out. A surprisingly consistent harmonic and rhythmic sense permeates Prokofiev's evolving style, as measured by relatively "harmonic" or "contrapuntal" emphasis. Minturn analyzes works for piano, orchestra, various chamber ensembles, and voice (including the opera The Gambler) and considers works in each category from various periods in Prokofiev's career.

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Données liées


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