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Music performance issues : 1600-1900

Author: Beverly Jerold
Publisher: Hillsdale, NY : Pendragon Press, [2016] ©2016
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
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Document Type: Book
All Authors / Contributors: Beverly Jerold
ISBN: 9781576472750 1576472752
OCLC Number: 947041973
Description: xi, 348 pages : illustrations, music ; 23 cm
Contents: Dilettante and amateur : our evolving language --
Bach's lament about Leipzig's professional instrumentalists --
Choral singing before the era of recordings --
Why most a cappella music could not have been sung unaccompanied --
Fasch and the beginning of modern artistic choral singing --
What Handel's casting reveals about singers of the time --
Intonation standards and equal temperament --
Eighteenth-century stringed keyboard instruments from a performance perspective --
The tromba and corno in Bach's time --
Maelzel's role in Beethoven's symphonic metronome marks --
The French time devices revisited --
The notable significance of C and [cut C] in Bach's era --
Numbers and tempo, 1630-1800 --
Overdotting in Handel's overtures reconsidered --
Notes inâegales : a definitive new parameter --
Distinguishing between artificial and natural vibrato in premodern music --
A solution for simple (secco) theater recitative --
How composers viewed performers' additions --
Responsibility: Beverly Jerold.

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