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Music publishing : the roadmap to royalties

Author: Ron Sobel; Dick Weissman
Publisher: New York : Routledge, 2008.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. When we think of publishing, we often think of the printed, physical form--sheet music--that a composition may take. However, publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A  Read more...
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Genre/Form: Einführung
General works
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Ron Sobel; Dick Weissman
ISBN: 9780415976213 0415976219 9780203895689 0203895681 9780415976206 0415976200
OCLC Number: 183879787
Description: xii, 188 pages : illustrations ; 24 cm
Contents: A brief history of music publishing and copyright law --
Sources of income, royalties, and licenses --
Performing rights --
Publishing companies --
Publishing deals --
Independent songwriters --
Music in film and television --
Music in advertising and production music libraries --
Classical music, Broadway, print music, and educational music --
Foreign publishing revenue, rights, and deals --
New media, technology, and copyright --
Legal issues and artist representation --
Music organizations and resources.
Responsibility: Ron Sobel and Dick Weissman.
More information:

Abstract:

Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. When we think of publishing, we often think of the printed, physical form--sheet music--that a composition may take. However, publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generated over 30 different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money. Taking a practical approach, the authors--one a successful music publisher and attorney, the other a songwriter and music business professor--explain in simple terms the basic concept of copyright law as it pertains to compositions. They examine the sources of income, the typical music publishing agreements, and explore some "myths" about music publishing, offering advice as to when to sign with a publisher. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers. --From publisher's description.

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