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Music, sound and filmmakers : sonic style in cinema

Author: James Eugene Wierzbicki
Publisher: New York : Routledge, 2012, ©2012.
Series: Routledge music and screen media series.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
This book is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear.
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Genre/Form: Criticism, interpretation, etc
Document Type: Book
All Authors / Contributors: James Eugene Wierzbicki
ISBN: 9780415898935 0415898935 9780415898942 0415898943 9780203343098 0203343093
OCLC Number: 724641133
Description: xv, 210 pages : illustrations, music ; 24 cm.
Contents: Sonic style in cinema / James Wierzbicki --
Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman --
Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather --
"It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters --
Kieslowski's musique concrète / Joseph G. Kickasola --
Gus Van Sant's soundwalks and audio-visual musique concrète / Danijela Kulezic-Wilson --
Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald --
Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee --
Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte --
The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston --
The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro --
The attractions of repetition : Tarantino's sonic style / Lisa Coulthard --
Dream timbre : notes on Lynchian sound design / Isabella van Elferen.
Series Title: Routledge music and screen media series.
Responsibility: edited by James Wierzbicki.

Abstract:

This book is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear.

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