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Music theory and natural order from the Renaissance to the early twentieth century

Author: Suzannah Clark; Alexander Rehding
Publisher: Cambridge [u.a.] : Cambridge Univ. Press, 2001.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:

Explores the ways music theory has represented and employed natural order since the scientific revolution.

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Genre/Form: History
Aufsatzsammlung
Document Type: Book
All Authors / Contributors: Suzannah Clark; Alexander Rehding
ISBN: 0521771919 9780521771917
OCLC Number: 247518593
Description: XI, 243 S : Ill., Notenbeisp
Contents: Part I. The Disenchantment and Re-enchantment of Music: 1. Vincenzo Galilei, modernity and the division of nature Daniel Chua; 2. 'Tis nature's voice': music, natural philosophy and the hidden world in seventeenth-century England Linda Phyllis Austern; 3. The 'gift of nature': musical 'instinct' and musical cognition in Rameau David Cohen; 4. Nietzsche, Riemann, Wagner: when music lies Leslie David Blasius; Part II. Natural Forms - Forming Nature: 5. The second nature of sonata form Scott Burnham; 6. August Halm's two cultures as nature Alexander Rehding; 7. Seduced by notation: Oettingen's topography of the major-minor system Suzannah Clark; Part III. Constructions of Identity: 8. The gendered eye: music analysis and the scientific outlook in German early Romantic music theory Ian Biddle; 9. On the primitives in music theory: the savage and subconscious as sources of analytical authority Peter A. Hoyt.
Responsibility: ed. by Suzannah Clark and Alexander Rehding.

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"...the variety and high-quality of the nine articles in this volume are impressive indeed...The excellent essays which form this volume, although focused specifically on music and music theory, are Read more...

 
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