passa ai contenuti
The musical dialogue : thoughts on Monteverdi, Bach, and Mozart Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

The musical dialogue : thoughts on Monteverdi, Bach, and Mozart

Autore: Nikolaus Harnoncourt; Reinhard G Pauly
Editore: Portland, Or. : Amadeus Press, ©1989.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Informazioni aggiuntive sul format: Online version:
Harnoncourt, Nikolaus.
Musical dialogue.
Portland, Or. : Amadeus Press, c1989
(OCoLC)654564259
Persona incaricata: Claudio Monteverdi; Johann Sebastian Bach; Wolfgang Amadeus Mozart
Tipo documento: Book
Tutti gli autori / Collaboratori: Nikolaus Harnoncourt; Reinhard G Pauly
ISBN: 093134008X 9780931340086
Numero OCLC: 18779433
Note: Translation of: Der musikalische Dialog.
Descrizione: 220 p. : ill. ; 24 cm.
Contenuti: The tonal image of medieval music --
Musical instruments in church and elsewhere --
The great innovation around 1600 --
Tonal aesthetics : is ugly beautiful --
Monteverdi today --
Work and arrangement : the role of instruments --
Work and performance --
Bach and the musicians of his age --
Performance traditions --
The concerto --
The Gamba sonatas : idiomatic sound or Ad Libitum --
The cantatas : at the center of Bach's work --
The wind instruments in Bach's cantatas --
Bach's "Oboe da Caccia" and its reconstruction --
Bach's use of "Parody" --
The first performance of the St. Matthew Passion by the Concentus Musicus --
The St. Matthew Passion : history and tradition --
Mozart was not an innovator --
Mozart : size of orchestras --
Mozart's use of "Allegro" and "Andante" --
From minuet to scherzo --
Mozart : written and unwritten instructions for interpretation Claudio Monteverdi: discussion of his works. L'Orfeo : text and music ; tempos ; instrumentation and arrangement in L'Orfeo ; Il Ritorno d'Ulisse in Patria ; L'Incoronazione di Poppea ; The Marian Vespers (Vespro della Beata Vergine) --
Johann Sebestian Bach: discussion of works. The Brandenburg concertos ; The St. John Passion ; The St. Matthew Passion ; The history of interpreting Bach's Mass B Minor --
Wolfgang Amadeus Mozart: discussion of his works. Mozart's dramatic technique as reflected in his Idomeneo correspondence ; Mozart's Requiem : his only work with an autobiographical element : thoughts and impressions.
Altri titoli: Musikalische Dialog.
Responsabilità: Nikolaus Harnoncourt ; translated by Mary O'Neill ; Reinhard G. Pauly, general editor.

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/18779433>
library:oclcnum"18779433"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/18779433>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
rdf:typeschema:Person
schema:name"Monteverdi, Claudio, 1567-1643"
schema:about
schema:about
rdf:typeschema:Person
schema:name"Bach, Johann Sebastian, 1685-1750"
schema:about
<http://id.worldcat.org/fast/1030374>
rdf:typeschema:Intangible
schema:name"Music--Interpretation (Phrasing, dynamics, etc.)"
schema:about
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Person
schema:name"Mozart, Wolfgang Amadeus, 1756-1791"
schema:about
schema:about
schema:about
schema:author
schema:contributor
schema:copyrightYear"1989"
schema:datePublished"1989"
schema:description"Claudio Monteverdi: discussion of his works. L'Orfeo : text and music ; tempos ; instrumentation and arrangement in L'Orfeo ; Il Ritorno d'Ulisse in Patria ; L'Incoronazione di Poppea ; The Marian Vespers (Vespro della Beata Vergine) -- Johann Sebestian Bach: discussion of works. The Brandenburg concertos ; The St. John Passion ; The St. Matthew Passion ; The history of interpreting Bach's Mass B Minor -- Wolfgang Amadeus Mozart: discussion of his works. Mozart's dramatic technique as reflected in his Idomeneo correspondence ; Mozart's Requiem : his only work with an autobiographical element : thoughts and impressions."
schema:description"The tonal image of medieval music -- Musical instruments in church and elsewhere -- The great innovation around 1600 -- Tonal aesthetics : is ugly beautiful -- Monteverdi today -- Work and arrangement : the role of instruments -- Work and performance -- Bach and the musicians of his age -- Performance traditions -- The concerto -- The Gamba sonatas : idiomatic sound or Ad Libitum -- The cantatas : at the center of Bach's work -- The wind instruments in Bach's cantatas -- Bach's "Oboe da Caccia" and its reconstruction -- Bach's use of "Parody" -- The first performance of the St. Matthew Passion by the Concentus Musicus -- The St. Matthew Passion : history and tradition -- Mozart was not an innovator -- Mozart : size of orchestras -- Mozart's use of "Allegro" and "Andante" -- From minuet to scherzo -- Mozart : written and unwritten instructions for interpretation"
schema:exampleOfWork<http://worldcat.org/entity/work/id/193484213>
schema:genre"Criticism, interpretation, etc."
schema:inLanguage"en"
schema:name"The musical dialogue : thoughts on Monteverdi, Bach, and Mozart"
schema:numberOfPages"220"
schema:publisher
schema:workExample
schema:workExample

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.