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Musical encounters with Deleuze and Guattari

Author: Pirkko Moisala
Publisher: New York Bloomsbury Academic 2017
Edition/Format:   Print book : EnglishView all editions and formats

Mobilises previously unexplored encounters between Deleuze and Guattari s thinking and the specific fields of the cultural study of music and sound."


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Genre/Form: Electronic books
Named Person: Gilles Deleuze; Félix Guattari; Gilles Deleuze; Félix Guattari; Gilles Deleuze; Félix Guattari
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Pirkko Moisala
ISBN: 9781501316746 1501316745
OCLC Number: 982031359
Notes: "This volume was generated from the research project 'Deleuzian Music Research' (2012-2016)"
Description: vi, 244 Seiten : Illustrationen.
Contents: List of FiguresAcknowledgementsIntroduction: Musical Encounters with Deleuze and Guattari ElaborationsTaru Leppanen: Unfolding Non-Audist Methodologies in Music Research: Signing Hip Hop Artist Signmark and Becoming Deaf with MusicSally Macarthur: A Micropolitics of Becoming-Woman and Moya Henderson's Rinse CycleJay Hammond: Mattering Black Life: Time, The Rhizome, and a Gullah-Geechee Politics of Rhythm Events Milla Tiainen: Singing Non Human-Centric Relational Futures - The Algae Opera as an AssemblageElizabeth Gould: Queer Transversal: The Spectacle Adam LambertPirkko Moisala: `A People to Come' in a Himalayan Village Music - A Deleuzian-Guattarian Study of Musical Performance ExperimentsMarie Thompson: Experimental Music and the Question of What a Body Can Do?Janne Vanhanen: Learning to Listen - Inorganization of the EarMichelle Duffy: Listening Assemblages: Re-sounding Place and Mapping the Affects of SoundHanna Vaatainen: Forming Common Notions in a Kinetic Research Collaboration List of ContributorsAbstracts
Responsibility: edited by Pirkko Moisala, Taru Leppänen, Milla Tiainen and Hanna Väätäinen.


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This exciting book explores how encounters between music, sound, research practices and Deleuze and Guattari's work are co-constitutive, so that understandings of music and sound can not only be Read more...

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