omitir hasta el contenido
The musical language of Pierre Boulez : writings and compositions Ver este material de antemano
CerrarVer este material de antemano
Chequeando…

The musical language of Pierre Boulez : writings and compositions

Autor: Jonathan Goldman
Editorial: Cambridge, UK ; New York : Cambridge University Press, 2011.
Serie: Music since 1900.
Edición/Formato:   Libro : Biografía : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:

A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.

Calificación:

(todavía no calificado) 0 con reseñas - Ser el primero.

Temas
Más materiales como éste

 

Encontrar un ejemplar en la biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que tienen este material…

Detalles

Persona designada: Pierre Boulez
Tipo de material: Biografía
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Jonathan Goldman
ISBN: 9780521514903 0521514908
Número OCLC: 667610213
Premios: Winner of Prix Opus: Livre de l'Annee (Opus Prize: Book of the Year) 2011.
Descripción: xxii, 244 pages : illustrations ; 26 cm.
Contenido: Introduction. Boulez's compositional path ; Sources for theories of musical form ; Serialism as musical structuralism --
Part I. Form as opposition in the writings of Pierre Boulez ; Writings from the first period : serialist doctrine, the open work and strategies of rhetorical displacement ; A portrait of Webern, a self-portrait of Boulez ; The second cantata ; Chronology of writings on Webern and key concepts ; Webern vs. Debussy : observable correspondence or imagined encounter ; The turn towards perception ; Form, thematicism and perceptual categories in the writings from the 1970s to the present ; Lessons for all or personal incantation? ; The basic elements of musical language ; The new concepts ; Concept of form ; Lessons of Leçons --
Part II. Form as opposition in selected works by Pierre Boulez : Analysis by, of, in and according to Boulez ; Boulezian motivations for analysing Boulez ; False or 'mutilating' analysis ; Boulez analyses The rite of spring ; Boulez for the analyst : the didactic work ; Rituel and the architecture of antiphony ; Presentation ; Form ; Pitch in the répons sections ; Structure of verses ; Dérive 1 and harmonic control ; Presentation ; Form ; Six harmonic fields ; Anticipations, suspensions and the recovery of classical categories ; Durations, densities and note hierarchies ; Mémoriale and polar mechanics ; Presentation ; Themes in Mémoriale ; Passage from clear to veiled timbre ; Paradigmatic analysis ; Polar notes ; Analysis of pitch content ; Durations ; Unplugged electronics ; Resonator effects ; Delay/echo effects ; Geometric orchestration ; Rhythmic canons ; Anthèmes and virtual thematics ; Presentation ; The virtual theme ; Discontinuities : 'characters', rhythmic canons and non-retrogradable rhythms ; Passage from Anthèmes 1 to Anthèmes 2 ; Incises and the play of recognition and surprise ; Presentation ; Annunciatory opening ; Très lent sections ; A paradigmatic-syntagmatic approach to Section I, Prestissimo ; Boulezian form in theory and practice.
Título de la serie: Music since 1900.
Responsabilidad: Jonathan Goldman.

Reseñas

Reseñas editoriales

Resumen de la editorial

'The Musical Language of Pierre Boulez ... is chock-full of examples ... There are also necessarily ample quotations from Boulez'[s] writings. It's produced to Cambridge University Press's usual high Leer más

 
Reseñas contribuidas por usuarios
Recuperando reseñas de GoodReads…
Recuperando reseñas de DOGObooks…

Etiquetas

Ser el primero.

Materiales similares

Temas relacionados:(2)

Listas de usuarios con este material (2)

Confirmar este pedido

Ya ha pedido este material. Escoja OK si desea procesar el pedido de todos modos.

Datos enlazados


<http://www.worldcat.org/oclc/667610213>
library:oclcnum"667610213"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/667610213>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2011"
schema:description"Introduction. Boulez's compositional path ; Sources for theories of musical form ; Serialism as musical structuralism -- Part I. Form as opposition in the writings of Pierre Boulez ; Writings from the first period : serialist doctrine, the open work and strategies of rhetorical displacement ; A portrait of Webern, a self-portrait of Boulez ; The second cantata ; Chronology of writings on Webern and key concepts ; Webern vs. Debussy : observable correspondence or imagined encounter ; The turn towards perception ; Form, thematicism and perceptual categories in the writings from the 1970s to the present ; Lessons for all or personal incantation? ; The basic elements of musical language ; The new concepts ; Concept of form ; Lessons of Leçons -- Part II. Form as opposition in selected works by Pierre Boulez : Analysis by, of, in and according to Boulez ; Boulezian motivations for analysing Boulez ; False or 'mutilating' analysis ; Boulez analyses The rite of spring ; Boulez for the analyst : the didactic work ; Rituel and the architecture of antiphony ; Presentation ; Form ; Pitch in the répons sections ; Structure of verses ; Dérive 1 and harmonic control ; Presentation ; Form ; Six harmonic fields ; Anticipations, suspensions and the recovery of classical categories ; Durations, densities and note hierarchies ; Mémoriale and polar mechanics ; Presentation ; Themes in Mémoriale ; Passage from clear to veiled timbre ; Paradigmatic analysis ; Polar notes ; Analysis of pitch content ; Durations ; Unplugged electronics ; Resonator effects ; Delay/echo effects ; Geometric orchestration ; Rhythmic canons ; Anthèmes and virtual thematics ; Presentation ; The virtual theme ; Discontinuities : 'characters', rhythmic canons and non-retrogradable rhythms ; Passage from Anthèmes 1 to Anthèmes 2 ; Incises and the play of recognition and surprise ; Presentation ; Annunciatory opening ; Très lent sections ; A paradigmatic-syntagmatic approach to Section I, Prestissimo ; Boulezian form in theory and practice."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/796475358>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The musical language of Pierre Boulez : writings and compositions"@en
schema:publisher
schema:url
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBB0A7474>

Content-negotiable representations

Cerrar ventana

Inicie una sesión con WorldCat 

¿No tienes una cuenta? Puede fácilmente crear una cuenta gratuita.