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The musical language of Pierre Boulez : writings and compositions

著者: Jonathan Goldman
出版商: Cambridge, UK ; New York : Cambridge University Press, 2011.
丛书: Music since 1900.
版本/格式:   Print book : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:

A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.

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类型/形式: Criticism, interpretation, etc
提及的人: Pierre Boulez; Pierre Boulez; Pierre Boulez
材料类型: 传记
文件类型:
所有的著者/提供者: Jonathan Goldman
ISBN: 9780521514903 0521514908 9781107673205 1107673208
OCLC号码: 667610213
奖励: Winner of Prix Opus: Livre de l'Annee (Opus Prize: Book of the Year) 2011.
描述: xxii, 244 pages : illustrations ; 26 cm.
内容: Introduction. Boulez's compositional path ; Sources for theories of musical form ; Serialism as musical structuralism --
Part I. Form as opposition in the writings of Pierre Boulez ; Writings from the first period : serialist doctrine, the open work and strategies of rhetorical displacement ; A portrait of Webern, a self-portrait of Boulez ; The second cantata ; Chronology of writings on Webern and key concepts ; Webern vs. Debussy : observable correspondence or imagined encounter ; The turn towards perception ; Form, thematicism and perceptual categories in the writings from the 1970s to the present ; Lessons for all or personal incantation ; The basic elements of musical language ; The new concepts ; Concept of form in Leçons de musique ; Lessons of Leçons --
Part II. Form as opposition in selected works by Pierre Boulez : Analysis by, of, in and according to Boulez ; Boulezian motivations for analysing Boulez ; False or 'mutilating' analysis ; Boulez analyses The rite of spring ; Boulez for the analyst : the didactic work ; Rituel and the architecture of antiphony ; Presentation ; Form ; Pitch in the Repons ; Structure of verses ; Dérive 1 and harmonic control ; Presentation ; Form ; Six harmonic fields ; Anticipations, suspensions and the recovery of classical categories ; Durations, densities and note hierarchies ; Mémoriale and polar mechanics ; Presentation ; Themes in Mémoriale ; Passage from clear to veiled timbre ; Paradigmatic analysis ; Polar notes ; Analysis of pitch content ; Durations ; Unplugged electronics ; Resonator effects ; Delay/echo effects ; Geometric orchestration ; Rhythmic canons ; Anthèmes and virtual thematics ; Presentation ; The virtual theme ; Discontinuities : 'characters', rhythmic canons and non-retrogradable rhythms ; Passage from Anthèmes 1 to Anthèmes 2 ; Incises and the play of recognition and surprise ; Presentation ; Annunciatory opening ; Treslent sections ; A paradigmatic-syntagmatic approach to Section I, Prestissimo ; Boulezian form in theory and practice ; From system to idea : systematic obscuring ; Formal schemas in a comparative approach.
丛书名: Music since 1900.
责任: Jonathan Goldman.

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'The Musical Language of Pierre Boulez ... is chock-full of examples ... There are also necessarily ample quotations from Boulez'[s] writings. It's produced to Cambridge University Press's usual high 再读一些...

 
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